See also:‘Are the underground men in the works of Wright and Ellison given the same psychological dimensions as those Dostoevsky achieves for his underground figure? The answer is “No,” because the latter two writers borrowed only those characteristics from the pioneer that would serve their purposes. Thus, while Dostoevsky’s undergrounder makes a strong case against the dictates of reason and the laws of nature, the underground men of Wright and Ellison welcome both in their attempt to find meaning in their existence.’
SOURCE: Hayes, Floyd W., III. “The Paradox of the Ethical Criminal in Richard Wright’s Novel The Outsider: A Philosopical Investigation,” Black Renaissance Noire, vol. 13, issue 1, Spring/Summer 2013, pp. 162-171. (Revision of paper prepared for the International Centennial Conference, Celebrating 100 Years of Richard Wright, The American University of Paris, Paris, France, June 19-21, 2008.)
Showing posts with label rationalism. Show all posts
Showing posts with label rationalism. Show all posts
Sunday, December 29, 2019
Fyodor Dostoevsky: Notes from Underground (10): Richard Wright & Ralph Ellison
Sunday, November 26, 2017
Fyodor Dostoevsky: Notes from Underground (9)
My running commentary on Dostoevsky reflects what I have assimilated at the moment of writing and my perspective changes with what I learn. My latest podcast was a rush job in which I sought to synthesize a lot of my diverse reading into an overall picture of intellectual and ideological history, in which Dostoevsky plays a part as one of those pivotal figures of the 19th century.
The 14th installment of my radio series “Studies in a Dying Culture,” recorded on 18 November 2017, has both a recording and a written-out text which approximates but is not identical to the actual podcast and has supplementary links and comments. The written text is here:
Dialectic and Dystopia: A Century Before and After the Russian Revolution Through Literature (podcast transcript) by R. Dumain
Listen or download here. [39:40 min.]
The 14th installment of my radio series “Studies in a Dying Culture,” recorded on 18 November 2017, has both a recording and a written-out text which approximates but is not identical to the actual podcast and has supplementary links and comments. The written text is here:
Dialectic and Dystopia: A Century Before and After the Russian Revolution Through Literature (podcast transcript) by R. Dumain
Listen or download here. [39:40 min.]
DESCRIPTION: November 7 marked the 100th anniversary of the Russian Revolution. I commemorate this crucial historical event in an oblique manner by examining the works of key creative writers and other thinkers from the 19th century up through the aftermath of World War I and the Russian Revolution who confronted modernity’s essential philosophical and existential issues. Writers discussed include Mary Shelley, Charles Fourier, Friedrich Engels, George Eliot, Herman Melville, Imre Madách, Jules Verne, Fyodor Dostoevsky, György Lukács, Leon Trotsky, and Yevgeny Zamyatin, with mentions of others and with Theodor Adorno and Richard Wright as a coda. All of this is to illustrate the historical failure to render irrational society rational and, with respect to world views, the unresolved dialectic of reason and unreason in the modern world.
Tuesday, November 7, 2017
Fyodor Dostoevsky: Notes from Underground (7)
My understanding of Notes from Underground and its context has developed since I finished reading it. There are a number of factors to consider, among them: (1) Dostoevsky's opposition to Nikolay Chernyshevsky’s What Is to Be Done? and the radical, Westernizing Russian intelligentsia, (2) criticism of the "bookishness" and formulaic expressions of the intelligentsia in relation to real life, (3) the Underground Man's indictment of his social milieu and himself, (4) the Underground Man as unreliable narrator, (5) the divergence between the Underground Man and Dostoevsky, (6) the philosophy of the Underground Man (and of Dostoevsky) in part 1, (7) the relationship of the actions in part 2 to the philosophical position of part 1.
I had equated the Underground Man with Dostoevsky himself, whereas the relationship between the two, as well as the relationship between the stated philosophy and lived reality is more complex in the work. The Underground Man's rebellion against rationalism is a failure, though some self-awareness is achieved where his narrative is broken off, and the entire Russian intelligentsia stands accused along with his self-accusation. Dostoevsky himself has an agenda for attacking rationalism and the intelligentsia. Where does it lead? His alienation leads to authoritarianism, reaction, and Christian apologetics, his torment to the justification of torment.
The reception of Dostoevsky's work, not only in Russia and the Soviet Union but abroad in very different contexts, is also eye-opening.
From this rush of research I compiled the following bibliography, with web links where feasible:
Dostoevsky’s Underground, Ideology, Reception: A Very Select Bibliography
I note briefly the relevance of these references to my projects. Joseph Frank is especially useful for mapping the conceptual structure of the novel. Let me call attention to two other references, which branch out into the big picture:
Carroll, John. Break-Out from the Crystal Palace: The Anarcho-Psychological Critique: Stirner, Nietzsche, Dostoevsky. 2nd ed. London; New York: Routledge, 2010. (Orig. pub. 1974.)
I loathe anarchists, and I prefer Paul Thomas's Karl Marx and the Anarchists, but this book embarks upon a detailed analysis of Dostoevsky's irrationalism, his relationship to Stirner and Nietzsche, and the opposition to the rationalist "crystal palace" utopia celebrated in Nikolay Chernyshevsky’s What Is to Be Done?.
Jacoby, Russell. Dialectic of Defeat: Contours of Western Marxism. Cambridge; New York: Cambridge University Press, 1981. See esp. Introduction.
Jacoby says nothing about Dostoevsky here, but his book is relevant to the issues, as Jacoby highlights the 'defeated' perspectives of dissident Marxists and reactionary thinkers who analyzed modernity’s underbelly obscured by the scientistic orientation of orthodox Marxism. The Introduction lays out his perspective.
All of this is to fit into the historical puzzle of the interlocking struggle and inseparability of the contradictions of the modern world, the capitalist world (which includes Stalinism), abstractly designated by positivism vs. irrationalism, or scientism vs Romanticism.
Saturday, November 4, 2017
Fyodor Dostoevsky: Notes from Underground (6)
I shall have a lot more to say, plus add additional references. First, let me link to pages on my web site that engage Dostoevsky:
Georg Lukács on Dostoevsky & the future of the novel
Stavrogin’s Confession by Georg Lukács
C. P. Snow on the ‘Two Cultures’: Literary Modernism, Irrationalism & Reactionary Politics
Richard Wright's "The Man Who Lived Underground": Notes for Discussion by R. Dumain
Richard Wright's "The Man Who Lived Underground": Annotated Bibliography by R. Dumain
Gary Saul Morson: Genre, Utopia, Sideshadowing, Tempics, Prosaics, Parody, Misanthropology, Philosophy, Literary Theory, Borges: Select Bibliography by R. Dumain
The Richard Wright connection is key to my future exploration of this topic.
Georg Lukács on Dostoevsky & the future of the novel
Stavrogin’s Confession by Georg Lukács
C. P. Snow on the ‘Two Cultures’: Literary Modernism, Irrationalism & Reactionary Politics
Richard Wright's "The Man Who Lived Underground": Notes for Discussion by R. Dumain
Richard Wright's "The Man Who Lived Underground": Annotated Bibliography by R. Dumain
Gary Saul Morson: Genre, Utopia, Sideshadowing, Tempics, Prosaics, Parody, Misanthropology, Philosophy, Literary Theory, Borges: Select Bibliography by R. Dumain
The Richard Wright connection is key to my future exploration of this topic.
Thursday, November 2, 2017
Fyodor Dostoevsky: Notes from Underground (5)
I have finished Part 2 of Fyodor Dostoevsky's Notes from Underground (1864), and so I have read the entire novel.
I completely disagree with the Underground Man's world view (which might be Dostoevsky's) presented in Part 1, but this work is characteristic of the 19th century obsession with the obstinacy of human irrationality in a modernizing world with a growing scientific, rationalistic world view. This is what "underground" consciousness was. It would not shock anyone now, but it ruptured the veneer of existing civilization at the time. As I suggested in other terms in my first post, there are several aspects to the thesis laid out that are jammed together, both the metaphysical and the historical/epochal (conjunctural).
In Part 1 the Underground Man is up against a stone wall.
There is more than one way to interpret this rebellion against '2 x 2 = 4', but given the Underground Man's hostility to putatively facile conceptions of rational progress, he lays down the reactionary basis of Dostoevsky's philosophy.
Part 2 is in its own way noteworthy, perhaps scandalous for the 19th century, and something new perhaps for Russia, which had only just freed its serfs. The Underground Man is passive-aggressive, deeply resentful of others, both challenging them and seeking acceptance of them, constantly humiliating himself with his impotent gestures, loathing himself as much as others, alternately hostile and ingratiating. He does this with a circle of acquaintances he imposes himself on (old school chums and their leading light Zverkov, all of whom he loathes), then with the prostitute Liza, then with his servant, then with Liza again, then he recognizes what a spiteful worm he is, finally the narrative breaks off unresolved with a comment from the fictional editor.
When he first wakes up with Liza in a brothel, he gives her a speech, projecting all sorts of feelings onto her, then acting like her savior. She tells him he sounds bookish, but she is finally convinced by the horrible future he lays out for her and is shaken into taking him seriously and accepting his invitation to his home, for which he hates her and pours scorn upon her when she shows up.
When he comes to the moment of self-realization at the end, he admits he is totally out of touch with real life, but because he is acutely self-conscious of this, he might be more in tune with reality since everyone else is just as "bookish" in the sense of being removed from real life. His final words, before the "editor" steps in and breaks off the narrative and concludes with a final note, are:
(All of this, by the way, seems to confirm Trotsky's assessment, summarized in previous posts.)
Which brings me to the question: what does part 2 have to do with the philosophical disquisition of part 1? The argument in part 1 is laid out in absolute abstract terms, yielding a world without history or development. The stubbornness of human irrationality is deeply ingrained, it will prove to destroy us and all life on Earth, but it doesn't live on air. The world view presented is familiar (reminiscent of Kierkegaard, for example); it is the very metaphysical stuff of political reaction.
I completely disagree with the Underground Man's world view (which might be Dostoevsky's) presented in Part 1, but this work is characteristic of the 19th century obsession with the obstinacy of human irrationality in a modernizing world with a growing scientific, rationalistic world view. This is what "underground" consciousness was. It would not shock anyone now, but it ruptured the veneer of existing civilization at the time. As I suggested in other terms in my first post, there are several aspects to the thesis laid out that are jammed together, both the metaphysical and the historical/epochal (conjunctural).
In Part 1 the Underground Man is up against a stone wall.
What stone wall? Why of course, the laws of nature, the deductions of natural science, mathematics. As soon as they prove to you, for instance, that you are descended from a monkey, then it is no use scowling, accept it for a fact.And this goes on. But ....
Merciful Heavens! but what do I care for the laws of nature and arithmetic, when, for some reason I dislike those laws and the fact that twice two makes four? Of course I cannot break through the wall by battering my head against it if I really have not the strength to knock it down, but I am not going to be reconciled to it simply because it is a stone wall and I have not the strength.From a schema of unbridgeable dualism the Underground Man deduces the cussedness of human nature, though we cannot be sure if his orientation towards it is positive or negative. It seems that a mechanistic, logical, or dare I say positivistic interpretation of reality bars any role for self-propelled human volition.
Consciousness, for instance, is infinitely superior to twice two makes four. Once you have mathematical certainty there is nothing left to do or to understand. There will be nothing left but to bottle up your five senses and plunge into contemplation.Man could not tolerate the tedium of a rationally ordered utopia. (Shades of Madách and Szathmári!)
There is more than one way to interpret this rebellion against '2 x 2 = 4', but given the Underground Man's hostility to putatively facile conceptions of rational progress, he lays down the reactionary basis of Dostoevsky's philosophy.
Part 2 is in its own way noteworthy, perhaps scandalous for the 19th century, and something new perhaps for Russia, which had only just freed its serfs. The Underground Man is passive-aggressive, deeply resentful of others, both challenging them and seeking acceptance of them, constantly humiliating himself with his impotent gestures, loathing himself as much as others, alternately hostile and ingratiating. He does this with a circle of acquaintances he imposes himself on (old school chums and their leading light Zverkov, all of whom he loathes), then with the prostitute Liza, then with his servant, then with Liza again, then he recognizes what a spiteful worm he is, finally the narrative breaks off unresolved with a comment from the fictional editor.
When he first wakes up with Liza in a brothel, he gives her a speech, projecting all sorts of feelings onto her, then acting like her savior. She tells him he sounds bookish, but she is finally convinced by the horrible future he lays out for her and is shaken into taking him seriously and accepting his invitation to his home, for which he hates her and pours scorn upon her when she shows up.
When he comes to the moment of self-realization at the end, he admits he is totally out of touch with real life, but because he is acutely self-conscious of this, he might be more in tune with reality since everyone else is just as "bookish" in the sense of being removed from real life. His final words, before the "editor" steps in and breaks off the narrative and concludes with a final note, are:
Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us—excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men—men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."In order for me to render this proposition more believable, I have to translate it into my own social reality. If the Underground Man were merely socially awkward and out of step with a soulless society, I could make sense of his claim. Even the spitefulness and self-humiliation, if it were not carried to an extreme, might make sense. But this orgy of self-humiliation strikes me as too close to the mentality of the misanthropic Christian sinner for me to swallow. Furthermore, it seems itself to be entirely swallowed up by the decaying feudal society that it represents, but without actual historical consciousness.
(All of this, by the way, seems to confirm Trotsky's assessment, summarized in previous posts.)
Which brings me to the question: what does part 2 have to do with the philosophical disquisition of part 1? The argument in part 1 is laid out in absolute abstract terms, yielding a world without history or development. The stubbornness of human irrationality is deeply ingrained, it will prove to destroy us and all life on Earth, but it doesn't live on air. The world view presented is familiar (reminiscent of Kierkegaard, for example); it is the very metaphysical stuff of political reaction.
Wednesday, October 25, 2017
Fyodor Dostoevsky: Notes from Underground (1)
I have finished Part I of Fyodor Dostoevsky's Notes from Underground (1864) by Fyodor Dostoevsky and have begun Part II, for the second time. I was supposed to have it read for a book club, but I have missed a meeting for the umpteenth time. I read it once before some years ago, but it didn't register then. At the time I was interested because of its alleged influence on Richard Wright. I found Wright's "The Man Who Lived Underground" much more interesting. But this time I'm getting what Dostoevsky wrote.
I'm not buying the world view that I think this is expressing, but there are multiple implications of what is presented. It immediately reminds me of a cultural/ideological crisis perceptible in the mid-19th century, fueled by the social changes I need not summarize coupled with--crucially--the rising dominance of the scientific, naturalistic world view and the displacement of the supernatural conception of man’s place in the cosmos. Dostoevsky radically disrupts the prospective of social progress and the triumph of a rational social order (utopian) via the (underground) recognition of man's irrational drives and stubborn will that at every juncture violates submission to natural law (let alone order) and even mathematical truth (2 + 2 = 4).
This can be taken two ways; both are probably intended at once. One can of course see this as the mushrooming of reactionary irrationalism that one finds in Kierkegaard and Nietzsche, and on the other hand, as positivism's antagonist, complement, blood brother, and black sheep of the family. Wikipedia, which never lies, tells me that this work is a riposte to Nikolai Chernyshevsky’s What Is To Be Done? (1863). But this recognition of unconscious drives, of existentialist displacement, of the diremption of the conscious individual and the social collective remains an ineliminable problem regardless of the ideology of its proponents. Pre-Marxist Lukács, having passed through Kierkegaard and Nietzsche, at one point saw Dostoevsky as the most advanced proponent of this sensibility and orientation to society, and would not relinquish him as he relinquished the other two.
I am leaving out the other major feature of the work, which is the public self-humiliation of the Underground Man and his total ineffectuality in society, which makes this work unique. But first, I note the philosophical configuration of the work, which remarkably, looks to my semi-educated mind as a phenomenon that erupted in several European nations and in the USA about the same time, as the implications of modernity, crisis, and naturalism were coming into focus, with Imre Madách (The Tragedy of Man, 1861), Jules Verne (his early unpublished 1863 novel Paris in the Twentieth Century), George Eliot, and Herman Melville (Moby-Dick, 1851). As for the crisis of world view, Engels saw what was coming in his 1844 critique of Carlyle.
I'm not buying the world view that I think this is expressing, but there are multiple implications of what is presented. It immediately reminds me of a cultural/ideological crisis perceptible in the mid-19th century, fueled by the social changes I need not summarize coupled with--crucially--the rising dominance of the scientific, naturalistic world view and the displacement of the supernatural conception of man’s place in the cosmos. Dostoevsky radically disrupts the prospective of social progress and the triumph of a rational social order (utopian) via the (underground) recognition of man's irrational drives and stubborn will that at every juncture violates submission to natural law (let alone order) and even mathematical truth (2 + 2 = 4).
This can be taken two ways; both are probably intended at once. One can of course see this as the mushrooming of reactionary irrationalism that one finds in Kierkegaard and Nietzsche, and on the other hand, as positivism's antagonist, complement, blood brother, and black sheep of the family. Wikipedia, which never lies, tells me that this work is a riposte to Nikolai Chernyshevsky’s What Is To Be Done? (1863). But this recognition of unconscious drives, of existentialist displacement, of the diremption of the conscious individual and the social collective remains an ineliminable problem regardless of the ideology of its proponents. Pre-Marxist Lukács, having passed through Kierkegaard and Nietzsche, at one point saw Dostoevsky as the most advanced proponent of this sensibility and orientation to society, and would not relinquish him as he relinquished the other two.
I am leaving out the other major feature of the work, which is the public self-humiliation of the Underground Man and his total ineffectuality in society, which makes this work unique. But first, I note the philosophical configuration of the work, which remarkably, looks to my semi-educated mind as a phenomenon that erupted in several European nations and in the USA about the same time, as the implications of modernity, crisis, and naturalism were coming into focus, with Imre Madách (The Tragedy of Man, 1861), Jules Verne (his early unpublished 1863 novel Paris in the Twentieth Century), George Eliot, and Herman Melville (Moby-Dick, 1851). As for the crisis of world view, Engels saw what was coming in his 1844 critique of Carlyle.
Friday, January 4, 2013
Freethinker: a question of definition & taxonomy
Written September 23, 2010 at 2:31 am
A discussion is now in progress [Were Frederick Douglass and Langston Hughes Freethinkers?: You be the judge] as to who is to be classified as a "freethinker". There are standard dictionary definitions, but the implications are hardly unambiguous. Here are some links that delve further into the implications of this term.
"Freethought Revival" / Susan Jacoby
http://www.beliefnet.com/Faiths/Secular-Philosophies/Freethought-Revival.aspx
Is "Freethinker" Synonymous with Nontheist?
Jeffery Jay Lowder
http://www.infidels.org/library/modern/features/2000/lowder1.html
Rationalism - It's Meaning and Implications
By Aparthib Zaman
http://www.mukto-mona.com/Special_Event_/rationalist_day/rationalism_aparthib.htm
Different Drummers: Nonconforming Thinkers in History.
Teacher Resource Section: Freethought and Religious Liberty:A Primer for Teachers
http://www.teachingaboutfreethought.org/booklets/bookfree.pdf
I am not satisfied with any of these approaches. My inclination is to tailor my taxonomy historically rather than to apply a single taxonomy to all times & places. By this I mean I see freethought as a historical cone, that takes in a wider spectrum in the past and excludes more and more unacceptable positions as we approach the present. But I have doubts that I can apply this principle authoritatively.
[See also:] Freethought by Amnon H Eden
http://www.eden-study.org/freethought.html#WhatIsFreethought
"Freethought Revival" / Susan Jacoby
http://www.beliefnet.com/Faiths/Secular-Philosophies/Freethought-Revival.aspx
Is "Freethinker" Synonymous with Nontheist?
Jeffery Jay Lowder
http://www.infidels.org/library/modern/features/2000/lowder1.html
Rationalism - It's Meaning and Implications
By Aparthib Zaman
http://www.mukto-mona.com/Special_Event_/rationalist_day/rationalism_aparthib.htm
Different Drummers: Nonconforming Thinkers in History.
Teacher Resource Section: Freethought and Religious Liberty:A Primer for Teachers
http://www.teachingaboutfreethought.org/booklets/bookfree.pdf
I am not satisfied with any of these approaches. My inclination is to tailor my taxonomy historically rather than to apply a single taxonomy to all times & places. By this I mean I see freethought as a historical cone, that takes in a wider spectrum in the past and excludes more and more unacceptable positions as we approach the present. But I have doubts that I can apply this principle authoritatively.
[See also:] Freethought by Amnon H Eden
http://www.eden-study.org/freethought.html#WhatIsFreethought
Sunday, October 10, 2010
Edgar Saltus: The Anatomy of Negation (1)

Edgar Saltus (1855-1921) was an acclaimed writer in his day who has dropped out of history. Still, there are those who wish to rehabilitate his reputations. See, e.g. Edgar Saltus: Forgotten Genius of American Letters? by Jason DeBoer. Several works by Edgar Saltus are available at Project Gutenberg. For another take on the type of writer Saltus was, see Edgar Saltus’s Imperial Orgy. You can also get a substantial preview of Edgar Saltus: The Man
By Marie Saltus.
Saltus prefaces The Anatomy of Negation by claiming it to be a historical compendium of anti-theism. It is not really a thorough history nor is it limited to atheism, but it could best be considered an historical narrative of skeptical and heterodox thinking, told from a rather equianimous point of view. Saltus considers the first thinker to break from religious thinking to be Kapila in ancient India. There is also an extensive account of the Buddha, and Lao Tzu to round out chapter 1. Saltus moves from China and India to ancient Greece and Rome. Lucretius is the star of the Roman saga.
Chapter 3 gives us a history of Christianity. Deep into this chapter, the skeptic Montaigne makes his appearance (103ff).
Chapter 4 takes off with the saintly Spinoza, who gets a good 10 1/2 pages. Then there is a lengthy treatment of Voltaire, followed by LaMettrie, Maupertuis, d'Holbach, Diderot, and d'Alembert.
With chapter 5 we encounter German idealism--Fichte, Schelling, Hegel, and a passing mention of some of the Young Hegelians. Clearly Saltus does not understand Hegel. He gives far more attention to Arthur Schopenhauer.
Saturday, September 25, 2010
Descartes as a Moral Thinker
"'I think, therefore I am', said Descartes, and the world rejoiced at the perspective of the expansion of individual personality and human powers through the liberation of the intellect." — C.L.R. James et al
The watershed marked by the philosophy of Descartes has long been recognized. The dualism of Descartes' philosophy has often been linked to his historical and social position, e.g.:
Descartes' Dualism (Extract) by Albert William Levi
One can find such treatments also in the Marxist tradition (e.g. C.L.R. James & the Johnson-Forest Tendency, quoted above):
Descartes & Marxism: Selected Bibliography
There is, of course, the perennial favorite which deals not with Descartes specifically but with the contradictions of Enlightenment, unsatisfactorily in my view: Dialectic of Enlightenment by Max Horkheimer and Theodor Adorno. See also my web guide/bibliography:
Positivism vs Life Philosophy (Lebensphilosophie) Study Guide
Here is a book I just discovered which is alleged to challenge common wisdom about Descartes:
Steiner, Gary. Descartes as a Moral Thinker: Christianity, Technology, Nihilism. Amherst, NY: Humanity Books, 2004. See also at Prometheus Books.
There is one brief passage on Marx, and, surprisingly, Steiner finds an affinity between Descartes and Marx. Otherwise, the book appears to be innocent of Marxism. Looking through the bibliography, the one author I'm tempted to pursue is Hans Blumenberg (also known for a debate with Karl Löwith).
Here is the publisher's product description:
Although commentary on Descartes is extensive, the importance of morality in his thought has been all but overlooked in contemporary English-language scholarship. Considered to be the first modern philosopher, Descartes is often interpreted as a wholly secular thinker who acknowledged no authority above the human will. In this important reassessment of the great French philosopher, Gary Steiner shows the influence of Christian thought on the moral foundations of Descartes's philosophy.This bears looking into. I think this will inadvertently confirm the incomparable greatness of Baruch Spinoza.
Descartes's commitment to Christian piety and to the autonomy of human reason stand in an uneasy tension with one another. In DESCARTES AS A MORAL THINKER, Steiner examines this tension between the "angelic" aspirations in Descartes's Christian commitments and the "earthly" or technological aspirations reflected in his endeavor to use reason to ground scientific practice. Steiner provides a close analysis of all Descartes's texts and correspondence that bear on morality. By placing Descartes's work in historical context, Steiner demonstrates Descartes's indebtedness not only to Galileo and Bacon in developing his conception of autonomous human reason but also to Augustine and Aquinas in conceptualizing the human condition and the role of belief in God. Providing a detailed survey of German, French, and English scholarship on Descartes, Steiner concludes with an in-depth examination of contemporary debates about secularization, nihilism, and modernity in such thinkers as Friedrich Nietzsche, Martin Heidegger, Hans Blumenberg, and Karl Lowith. Steiner shows how Descartes's own ambivalence about the relation between faith and reason can shed light on contemporary controversies regarding what Blumenberg calls "the legitimacy of the modern age."
Thursday, July 22, 2010
History of atheism, freethought, rationalism, skepticism, materialism: bibliography
Behold my latest bibliography:
Historical Surveys of Atheism, Freethought, Rationalism, Skepticism, and Materialism: Selected Works
There is no fixed boundary between analytical treatments of this subject matter, readers, and anthologies, on the one hand (which are now quite prevalent thanks to Hitchens and others), and historical and reference works on the other. Still, I've attempted to focus on historical surveys of varying generality and on dictionaries and encyclopedias, which are obviously basic reference works for historical inquiry.
I have preserved humanism as a separate topic, per my earlier working bibliography:
Secular Humanism—Ideology, Philosophy, Politics, History: Bibliography in Progress
As far as texts on atheism as a subject matter, my last attempt to list important recent and not-so-recent books is now quite out of date:
Ralph Dumain on atheism, irreligion, and rationality
I invite additional suggestions for this new bibliography. The most notable omission is the history of the skeptical movement—by this I do not mean skepticism as a philosophical concept, which is covered here—but skepticism in the sense of investigation of claims of the paranormal and fringe science. I know of no histories of this movement, so it is a gap that needs to be filled if the relevant literature has even been written.
I have only one possible such item of relevance (buried somewhere in my files):
Still, Arthur; Dryden, Windy. ‘The Social Psychology of "Pseudoscience" : A Brief History’, Journal for the Theory of Social Behaviour, vol. 34, no. 3, pp. 265-290, Sept. 2004.
I have not attempted to cover the history of naturalism , which is a much broader, more diffuse, and better covered subject than the history of materialism per se in the USA. Historically there are far more public advocates of naturalism in the USA than of materialism , due not only to prevailing philosophical trends and not only to opprobrium, but also to the witch hunts of J. Edgar Hoover and McCarthyism. There are other specialized areas, such as black freethought, Indian religion and philosophy, and atheism in the USSR, that I cover elsewhere.
Historical Surveys of Atheism, Freethought, Rationalism, Skepticism, and Materialism: Selected Works
There is no fixed boundary between analytical treatments of this subject matter, readers, and anthologies, on the one hand (which are now quite prevalent thanks to Hitchens and others), and historical and reference works on the other. Still, I've attempted to focus on historical surveys of varying generality and on dictionaries and encyclopedias, which are obviously basic reference works for historical inquiry.
I have preserved humanism as a separate topic, per my earlier working bibliography:
Secular Humanism—Ideology, Philosophy, Politics, History: Bibliography in Progress
As far as texts on atheism as a subject matter, my last attempt to list important recent and not-so-recent books is now quite out of date:
Ralph Dumain on atheism, irreligion, and rationality
I invite additional suggestions for this new bibliography. The most notable omission is the history of the skeptical movement—by this I do not mean skepticism as a philosophical concept, which is covered here—but skepticism in the sense of investigation of claims of the paranormal and fringe science. I know of no histories of this movement, so it is a gap that needs to be filled if the relevant literature has even been written.
I have only one possible such item of relevance (buried somewhere in my files):
Still, Arthur; Dryden, Windy. ‘The Social Psychology of "Pseudoscience"
I have not attempted to cover the history of naturalism
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