Showing posts with label Britain. Show all posts
Showing posts with label Britain. Show all posts

Sunday, July 22, 2018

David Guest, aspiring to theory, killed in practice


"I have never felt so much the value of abstract things, of theory seen in its proper relation to practice, than just now. I think I can see things in their proper proportions. I have myself a lively and intense desire to explore whole fields of theoretical work, mathematical, physical, logical and far beyond these, when the conditions for this will become again possible."

-- Letter from Spain, David Guest, British communist mathematician, killed fighting fascism in Spain in 1938

SOURCE: Sheehan, Helena. Marxism and the Philosophy of Science: A Critical History (Atlantic Highlands, NJ: Humanities Press, 1985, p. 347.

For more historical overview, see also my bibliography:

British Marxism in Philosophy, Science, and Culture Before the New Left: Essential Historical Surveys

Wednesday, June 20, 2018

Christopher Caudwell's unpublished manuscripts (2)

Continuing on this work by Christopher Caudwell:

Scenes and Actions: Unpublished Manuscripts, selected, edited, and introduced by Jean Duparc and David Margolies. London: New York: Routledge & Kegan Paul, 1986.

Preface
Introduction
Selected Bibliography
from The Wisdom of Gautama
from Heaviside
Short stories
      from The Rock
                Friends
                The Mother Superior
                Lodgings for the Night
                The Bully
                Thomson
      from The Island
                The Play
                A Bit in the Papers
                The Piston
                Homage to Calderon
                The Bank
                The Device

from ‘Verse and Mathematics’
Heredity and Development
Letters

While I have owned this book for a couple decades or more, I never actually read it through. Verse and Mathematics was the draft of what was honed to his published landmark book Illusion and Reality. The extract published here is interesting and I may make it the subject of another blog post. "Heredity and Development: A Study of Bourgeois Biology" was not included in Caudwell's Studies in a Dying Culture, though it belongs there. The letters outline Caudwell's aesthetic principles and his evaluation of his own fiction, as well as details leading up to his fatal participation fighting fascism in Spain.

The introduction places all this in context, also presenting the following poems in whole or part:
The Survival
The Unspeakables
In Memoriam [of T.E. Lawrence]
Artic Expedition
Soul's Progress [excerpt]
Smoke and Diamond
The Art of Dying
[untitled fragment]
The Object
Heil Baldwin!
Caudwell’s Collected Poems were published by Carnacet Press in 1986.

The balance of the book contains selections from Caudwell's hitherto unpublished fiction. Having read none of his published fiction either, though I knew of it, I experienced this facet of Caudwell for the first time. I turned to the fiction after perusing the rest of the book, not in order of the items presented. After reading the letters, I began with Caudwell's non-naturalistic fiction--the excerpt from the speculative fiction story "Heaviside" and the stories from "The Island," which Caudwell termed Kafkaesque, which are in any case extrapolations of ideas, situations, and institutions. This is an unfamiliar dimension of Caudwell for me and adds to understanding his originality and sensibility. The stories from The Rock are character studies. At various times in reading these pieces my attention flagged, but that may just have been an effect of my state of mind at the moment and not the prose itself. While Caudwell criticized his own fiction, as does the book's introduction, Caudwell's style as well as his probing of human character are noteworthy.

It was fortunate that the Stalinists had no idea of what Caudwell was up to or they would have squashed him like they tried to squash Jack Lindsay, an original polymath from Australia who was also a member of the Communist Party of Great Britain.  Caudwell indulged in formulaic political judgments in his analyses, but retained a freshness and originality in his approach.

Sunday, July 31, 2011

Marxism & religion: 2 articles

A key challenge for socialists - Marxists and Religion - yesterday and today
by Gilbert Achcar, International Viewpoint, 15 October 2004.

I mostly agree. I agree esp. with the criticism of alliances between British Trotskyists and Islamists.

Opiate of the People? - Marxism and Religion
By Michael Löwy
International Viewpoint Online magazine, IV368, June 200.

The historical overview is interesting, but I think Löwy is shallow and wrong. I also think Ernst Bloch is wrong. Löwy's treatment of the Frankfurt School is deplorable.

Thursday, February 4, 2010

Jean Anouilh’s Becket

I've always preferred literary art with a philosophical dimension. Case in point: the play Becket by Jean Anouilh. I was introduced to the play via the film starring Peter O'Toole and Richard Burton, which I saw with a friend 35 years ago or more.

We were so impressed with this drama that some years later, my friend initiated a local theater production of it. It never panned out, but I can still remember the rehearsals. Though not an actor, I participated in reading rehearsals, playing an archbishop locked in a power struggle with the King. Tossing out veiled threats was, I admit, intoxicating, even in fantasy. Nothing says sadistic lust for power like the Catholic Church.

But I recall as well something far more important—my reason for the fascination with the play—the curious self-awareness of the Becket character and the ambiguity of his role-playing, culminating in a martyrdom predicated on assuming "the honor of God". Having worked behind the scenes in the theater (long ago and far away) and kibitzing incessantly for years, I got to observe actors, directors, and playwrights. It's instructive to see who really has awareness of the meaning of plays and who doesn't. I've found actors in plays are just as clueless as actors in real life. But some roles can't be adequately played without profound inquiry into meaning. This play presents such a challenge.

I've distilled out of the play some key quotes revealing this most intriguing character:
Jean Anouilh's Becket: Choice Quotes
There's not a line wasted in this play, so it's hard to extract the essentials. I vividly recall almost all these extracts from decades past. I'll just add a comment about the King, since I've not focused primarily on him in these extracts. The King constantly marvels at the intelligence and elusiveness of his close friend Becket, who understands the social order the King commands better than the King does himself. This king—as is characteristic of all rulers—is obtuse to certain underlying properties of the social system he commands. Becket, however, as a member of a conquered people who collaborates with his conquerors, exhibits an excruciating self-awareness and a deeper awareness of how all components of the social order fit together, thus enabling him to help the king rule with greater efficiency. The King is merely pragmatic, though thoroughly so, and like all pragmatists he can see through pretense but not through pragmatism. Hence it is child's play for the King to deflate the hypocritical pretenses of the Catholic Church, while Becket remains an enigma to him. The interplay between these two characters is key to the brilliance of the play.

If you want some entertainment that makes you think instead of settling for the usual pabulum, you'd do well to rent this film.

Sunday, February 22, 2009

Trotsky on religion (5): philosophy, literature, family, morality, Britain, miscellany

Here is a diverse selection of other interesting material I have found.

From Trotsky's memoirs (scattered references):

My Life (1930)

On literature:

Leon Trotsky, "Tolstoy, Poet and Rebel" (Written on Tolstoy’s Eightieth Birthday, September 1908), translated by John G. Wright, Fourth International, Vol. 12, No. 3, May-June 1951.

Leon Trotsky, Literature and Revolution (1924),translated by Rose Strunsky.

In previous posts I cited chapters 1, 5, and 8. See also:

Chapter 2: The Literary “Fellow-Travellers” of the Revolution

On Nicolat Kliuev:

It is unclear whether he himself believes or does not believe. His God suddenly spits blood and the Virgin Mother gives herself to some Hungarian for a few yellow pieces. All this sounds like blasphemy, but to exclude God from the Kliuev household, to destroy the holy corner where the light of the lamp shines on silver and gilded frames – to such destruction he does not consent. Without the lamp, everything is unfulfilled.

On Boris Pilnyak:

To accept the workers’ Revolution in the name of a high ideal means not only to reject it, but to slander it. All the social illusions which mankind has raved about in religion, poetry, morals or philosophy, served only the purpose of deceiving and blinding the oppressed. The Socialist Revolution tears the cover off “illusions”, off “elevating”, as well as off humiliating deceptions and washes off reality’s make-up in blood. The Revolution is strong to the extent to which it is realistic, rational, strategic and mathematical. Can it be that the Revolution, the Same one which is now before us, the first since the earth began, needs the seasoning of romantic outbursts, as a cat ragout needs hare sauce? Leave that to the Bielys. Let them chew to the very end the Philistine cat ragout with Anthroposophic sauce.

On the rustic or peasant-singing writers:

Not so long ago Chukovsky urged Alexey Tolstoi to reconcile himself with revolutionary Russia or with Russia, regardless of the Revolution. And Chukovsky’s main argument was that Russia is the same as she always was, and that the Russian peasant will not exchange his ikons or his roaches for any historical gingerbread. Chukovsky evidently feels that in this phrase there is a very large sweep of the national spirit and an evidence of its ineradicability. The experiment of the brother-housekeeper in the monastery who passed out a roach in the bread for a raisin is extended by Chukovsky to all Russian culture. The roach as the “raisin” of the national spirit! What a low national inferiority this is in fact, and what a contempt for a living people! It would be well enough if Chukovsky himself believed in ikons. But no, he does not, for if he did he would not be mentioning them in the same breath with roaches, though in the village hut the roach hides willingly behind the ikon. But as Chukovsky has his roots entirely in the past, and as his past in its turn maintained itself on the moss-covered and superstitious peasant, Cbukovsky makes the old national roach that lives behind the ikon the reconciling principle between himself and the Revolution. What a shame and a disgrace! What a disgrace and a shame! These intellectuals studied their books (on the neck of that same peasant), they scribbled in magazines, they lived through various “eras”, they created “movements”, but when the Revolution came in earnest, they found refuge for the national spirit in the darkest corner of the peasant but where the roach lives.

* * *

In Blok the revolutionary tendency is expressed in the finished verse:
At Holy Russia let’s fire a shot.
At hutted Russia
Thick-rumped and solid,
Russia, the stolid,
Eh, eh, unhallowed, unblessed.
The Twelve
The break with the Seventeenth Century, with the Russia of the peasant hut, appears to the mystic Blok as a holy affair, even as a state for the conciliation with Christ. In this archaic form the thought is expressed that the break is not imposed from without, but is the result of national development and corresponds to the profoundest needs of the people. Without this break, the people would have rotted away.

On Marietta Shaginyan:
Shaginyan’s benevolent and even “sympathetic” attitude toward the Revolution, as is now evident, has its source in the most unrevolutionary, Asiatic, passive, Christian and non-resistant point of view. Shaginyan’s recently published novel, Our Destiny, serves as an explanatory note to this point of view. Here all is psychology, and transcendental psychology at that, with roots that go off into religion. There is character “in general”, spirit and soul, destiny noumenal and destiny phenomenal, psychologic riddles throughout, and to make the piling up of all this seem not too monstrous, the novel takes place in a sanatorium for psychopathics. There is the very splendid professor, a most keen-minded psychiatrist, who is also the noblest husband and father, and a most unusual Christian; the wife is a little simpler, but her union with her husband in sublimation to Christ, is complete; the daughter tries to rebel, but later humiliates herself in the name of the Lord; a young psychiatrist, in whose name the story is told, is entirely in accord with this family. He is intelligent, soft and pious. There is a technician, with a Swedish name, who is unusually noble, good, wise in his simplicity, aU.forbearing and submissive to Cod. There is the priest Leonid, unusually keen, unusually pious, and, of course, according to his avocation submissive to God. And all about them are crazy and half-crazy people, by whom on the one hand is revealed the understanding and profundity of the professor, and, on the other hand, the necessity of obeying God, who did not succeed in building a world without crazy people. There is another young psychiatrist, who comes here as an atheist, and of course also submits to God. These heroes discuss among themselves whether the professor recognizes the devil, or whether he considers evil impersonal, and they are inclined to get along without the devil. On the cover is written, 1923, Moscow and Petrograd! What wonders in a sieve – truly!
Shaginyan’s keen-minded, good and pious heroes do not call forth sympathy, but complete indifference, which at moments passes into nausea. And this is so, in spite of the fact that a clever author is evident, for all the cheap language and all too provincial humor. There is falseness even in Dostoievsky’s pious and submissive figures, for one feels that they are strangers to the author. Be created them in large degree as an antithesis to himself, because Dostoievsky was passionate and bad-tempered in everything, even in his perfidious Christianity. But Shaginyan seems really to be good, though with a domestic goodness only. She has enclosed the abundance of her knowledge and her extraordinary psychological penetration in the framework of her domestic point of view. She herself recognizes it, and speaks of it openly. But the Revolution is not at all a domestic event. That is why Shaginyan’s fatalistic submission is so strikingly incongruous to the spirit and meaning of our times. And that is why her very wise and pious people, if you will forgive the word, stink of bigotry.
In her literary diary, Shaginyan speaks of the necessity of struggling for culture everywhere and always; if people blow their noses into their five fingers, teach them the use of the handkerchief. This is correct, and strikes a bold note, especially today when, for the first time, the real bulk of the people are beginning consciously to reconstruct culture. But the semi-illiterate proletarian who is unused to the handkerchief (having never owned one), who has done with the idiocy of divine commandments once and for all, and who is seeking a way for the building of correct human relationships, is infinitely more cultured than those educated reactionaries (of both sexes) who blow their noses philosophically into their mystic handkerchief, and who complicate this unaesthetic gesture by the most complex artistic tricks, and by stealthy and cowardly borrowings from science.
Shaginyan is anti-revolutionary in her very essence. It is her fatalistic Christianity, her household indifference to everything that is not of the household, that reconciles her to the Revolution. She has simply changed her seat from one car into another, carrying with her hand baggage and her philosophic artistic handwork. It may possibly seem to her that she has retained her individuality more surely this way. But not a single thread points upward from this individuality.
Chapter 4: Futurism
Futurism is against mysticism, against the passive deification of nature, against the aristocratic and every other kind of laziness, against dreaminess, and against lachrymosity – and stands for technique, for scientific organization, for the machine, for planfulness, for will power, for courage, for speed, for precision, and for the new man, who is armed with all these things. The connection of the aesthetics “revolt” with the moral and social revolt is direct; both enter entirely and fully into the life experience of the active, new, young and untamed section of the intelligentsia of the left, the creative Bohemia. Disgcust against the limitations and the vulgarity of the old life produces a new artistic style as a way of escape, and thus the disgust is liquidated. In different combinations, and on different historic bases, we have seen the disgust of the intelligentsia form more than one new style. But that was always the end of it.
Chapter 6: Proletarian Culture and Proletarian Art
All science, in greater or lesser degree, unquestionably reflects the tendencies of the ruling class. The more closely science attaches itself to the practical tasks of conquering nature (physics, chemistry, natural science In general), the greater is its non-class and human contribution. The more deeply science is connected with the social mechanism of exploitation (political economy), or the more abstractly it generalizes the entire experience of mankind (psychology, not in its experimental, physiological sense but in its so-called “philosophic sense"), the more does it obey the class egotism of the bourgeoisie and the less significant is its contribution to the general sum of human knowledge. In the domain of the experimental sciences, there exist different degrees of scientific integrity and objectivity, depending upon the scope of the generalizations made. As a general rule, the bourgeois tendencies have found a much freer place for themselves in the higher spheres of methodological philosophy, of Weltanschauung. It is therefore necessary to clear the structure of science from the bottom to the top, or, more correctly, from the top to the bottom, because one has to begin from the upper stories. But it would be naive to think that the proletariat must revamp critically all science inherited from the bourgeoisie, before applying it to Socialist reconstruction. This is just the same as saying with the Utopian moralists: before building a new society, the proletariat must rise to the heights of Communist ethics. As a matter of fact, the proletariat will reconstruct ethics as well as science radically, but he will do so after he will have constructed a new society, even though in the rough. But are we not traveling in a vicious circle? How is one to build a new society with the aid of the old science and the old morals? Here we must bring in a little dialectics, that very dialectics which we now put so uneconomically into lyric poetry and into our office bookkeeping and into our cabbage soup and into our porridge. In order to begin work, the proletarian vanguard needs certain points of departure, certain scientific methods which liberate the mind from the ideologic yoke of the bourgeoisie; it is mastering these; in part has already mastered them. It has tested its fundamental method in many battles, under various conditions. But this is a long way from proletarian science. A revolutionary class cannot stop its struggle, because the Party has not yet decided whether it should or should not accept the hypothesis of electrons and ions, the psycho-analytical theory of Freud, the new mathematical discoveries of relativity, etc. True, after it has conquered power, the proletariat will find a much greater opportunity for mastering science and for revising it. This is more easily said than done. The proletariat cannot postpone Socialist reconstruction until the time when its new scientists, many of whom are still running about in short trousers, will test and clean all the instruments and all the channels of knowledge. The proletariat rejects what is clearly unnecessary, false and reactionary, and in the various fields of its reconstruction makes use of the methods and conclusions of present-day science, taking them necessarily with the percentage of reactionary class-alloy which is contained in them. The practical result will justify itself generally and on the whole, because such a use when controlled by a Socialist goal will gradually manage and select the methods and conclusions of the theory. And by that time there will have grown up scientists who are educated under the new conditions. At any rate, the proletariat will have to carry its Socialist reconstruction to quite a high degree, that is, provide for real material security and for the satisfaction of society culturally before it will be able to carry out a general purification of science from top to bottom.

* * *
It is not accidental that the poetry of small circles falls into the flat romanticism of “Cosmism” when it tries to overcome its isolation. The idea here approximately is that one should feel the entire world as a unity and oneself as an active part of that unity, with the prospect of commanding in the future not only the earth, but the entire cosmos. All this, of course, is very splendid, and terribly big. We came from Kursk and from Kaluga, we have conquered all Russia recently, and now we are going on towards world revolution. But are we to stop at the boundaries of “planetism”! Let us put the proletarian hoop on the barrel of the universe at once. What can be simpler? This is familiar business: we’ll cover it all with our hat!
Cosmism seems, or may seem, extremely bold, vigorous, revolutionary and proletarian. But in reality, Cosmism contains the suggestion of very nearly deserting the complex and difficult problems of art on earth so as to escape into the interstellar spheres. In this way Cosmism turns out quite suddenly to be akin to mysticism. It is a very difficult task to put the starry kingdom into one’s own artistic world, and to do this in some sort of a conative way, not only in a contemplative, and to do this quite independently of how much one is acquainted with astronomy. Still, it is not an urgent task. And it seems that the poets are becoming Cosmists, not because the population of the Milky Way is knocking at their doors and demanding an answer, but because the problems of earth are lending themselves to artistic expression with so much difficulty that it makes them feel like jumping into another world. However, it takes more than calling oneself a Cosmist to catch stars from heaven, especially as there is so much more interstellar emptiness in the universe than there are stars. Let them beware lest this doubtful tendency to fill up the gaps in one’s point of view and in one’s artistic work with the thinness of interstellar spaces, lead some of the Cosmists to the most subtle of matters, namely, to the Holy Ghost in which there are quite enough poetic dead bodies already at rest.
On the British Labour Movement:

Leon Trotsky, Problems of the British Revolution (1926, essay collection).

H. N. Brailsford, Introduction to the English Edition of Where is Britain Going?

Russell, Bertrand. "Trotsky on Our Sins," The New Leader, 26th February 1926.

Dutt, R. Palme. "Trotsky and His English Critics," Labour Monthly, Vol. VIII, No. 4, April 1926.

On women & the family in the USSR:

Trotsky on women & the family (essay collection)

On Stalinist Anti-Semitism:

Leon Trotsky. "Thermidor and Anti-Semitism" (22 February 1937), The New International, Vol. VII, No. 4, May 1941.

On morality & natural right:

Leon Trotsky, Terrorism and Communism (1920), Chapter 3: Democracy
If we look back to the historical sequence of world concepts, the theory of natural law will prove to be a paraphrase of Christian spiritualism freed from its crude mysticism. The Gospels proclaimed to the slave that he had just the same soul as the slave-owner, and in this way established the equality of all men before the heavenly tribunal. In reality, the slave remained a slave, and obedience became for him a religious duty. In the teaching of Christianity, the slave found an expression for his own ignorant protest against his degraded condition. Side by side with the protest was also the consolation. Christianity told him:– ”You have an immortal soul, although you resemble a pack-horse.” Here sounded the note of indignation. But the same Christianity said:– ”Although you are like a pack-horse, yet your immortal soul has in store for it an eternal reward.” Here is the voice of consolation. These two notes were found in historical Christianity in different proportions at different periods and amongst different classes. But as a whole, Christianity, like all other religions, became a method of deadening the consciousness of the oppressed masses.
Natural law, which developed into the theory of democracy, said to the worker: “all men are equal before the law, independently of their origin, their property, and their position; every man has an equal right in determining the fate of the people.” This ideal criterion revolutionized the consciousness of the masses in so far as it was a condemnation of absolutism, aristocratic privileges, and the property qualification. But the longer it went on, the more it sent the consciousness to sleep, legalizing poverty, slavery and degradation: for how could one revolt against slavery when every man has an equal right in determining the fate of the nation?
Leon Trotsky, "Their Morals and Ours," The New International, Vol. IV, No.6, June 1938, pp. 163-173.

Leon Trotsky, "Moralists and Sycophants Against Marxism: Peddlers of Indulgences and Their Socialist Allies, or the Cuckoo in a Strange Nest" (9 June 1939), New International, Vol. 5, No. 8, August 1939, New York, pp. 229-233.
These gentlemen have a system of their own, and they are not ashamed to defend it. They stand for absolute morality, and above all for the butcher Franco. It is the will of God. Behind them stands a Heavenly Sanitarian who gathers and cleans all the filth in their wake. It is hardly surprising that they should condemn as unworthy the morality of revolutionists who assume responsibility for themselves. But we are now interested not in professional peddlers of indulgences but in moralists who manage to do without God while seeking to put themselves in His stead.
* * * *
If Victor Serge’s attitude toward problems of theory were serious, he would have been embarrassed to come to the fore as an “innovator” and to pull us back to Bernstein, Struve and all the revisionists of the last century who tried to graft Kantianism onto Marxism, or in other words, to subordinate the class struggle of the proletariat to principles allegedly rising above it. As did Kant himself, they depicted the “categoric imperative” (the idea of duty) as an absolute norm of morality valid for everybody. In reality, it is a question of “duty” to bourgeois society. In their own fashion, Bernstein, Struve, Vorländer had a serious attitude to theory. They openly demanded a return to Kant. Victor Serge and his compeers do not feel the slightest responsibility towards scientific thought. They confine themselves to allusions, insinuations, at best, to literary generalizations ... However, if their ideas are plumbed to the bottom, it appears, that they have joined an old cause, long since discredited: to subdue Marxism by means of Kantianism; to paralyze the socialist revolution by means of “absolute” norms which represent in reality the philosophical generalizations of the interests of the bourgeoisie true enough, not the present-day but the defunct bourgeoisie of the era of free trade and democracy. The imperialist bourgeoisie observes these norms even less than did its liberal grandmother. But it views favorably the attempts of the petty-bourgeois preachers to introduce confusion, turbulence and vacillation into the ranks of the revolutionary proletariat. The chief aim not only of Hitler but also of the liberals and the democrats is to discredit Bolshevism at a time when its historical legitimacy threatens to become absolutely clear to the masses. Bolshevism, Marxism – there is the enemy!