Philosophy and Method in the West & India

Sarukkai, Sundar. “Philosophy and Method,” in Mapping Scientific Method: Disciplinary Narrations, edited by Gita Chadha and Renny Thomas (London; New York: Routledge, 2023), pp. 85-103.

This is an interesting essay which I nonetheless consider to be an elementary introduction to the question. Sarukkai broadens the usual terms of debate in the anglophone world (characterized as a restrictive focus on Western philosophy) to include Indian philosophy in the mix, which resonates with the phenomenological tradition in the West. Sarukkai suggests the complementary nature of focusing on the subject-object relation by addressing the approaches of phenomenology and science respectively. Of interest in particular is the Nyāya 16-step process as a model for philosophical method.

The narrowness Sarukkai confronts is most characteristic of analytical philosophy. Sarukkai’s broadening of the base of discussion is welcome, but his pluralism has limitations. He accepts the now-conventional categories of analytical and continental philosophy as givens. He mentions Marxism and Critical Theory in passing, but his entire discussion bypasses Hegel, Marx, and the Frankfurt School, which would lend themselves to an overview of disparate methods and schools of thought from a decidedly different perspective.

And there is the question of the nature of method and the manner of its applicability, an issue that applies also to critical thinking in general. Interpretation is not algorithmic or formalistic; it requires non-mechanical judgment of specific content even with the cognizance of general principles.

See also my bibliographies:

Indian Logic & Argumentation: Selected Bibliography

Argumentation & Controversies: Selected Bibliography

Thinking Critically About Critical Thinking: A Guide

Philosophical Style: Selected Bibliography

Philosophy of History of Philosophy & Historiography of Philosophy: Selected Bibliography

My Martin Gardner testimonial

The Martin Gardner Centennial was in 2014 and I commemorated it on this blog. I also submitted my own testimonial to the official web site and linked to it in this post:

Martin Gardner Centennial & Testimonials

Now I'd like to reproduce my contribution here:

Martin Gardner Testimonials: Testimonial 55: Ralph Dumain

As a teenager I discovered Martin Gardner in the 'Mathematical Games' column of the June or July 1967 issue of Scientific American, having innocently bought it at the corner drugstore on account of my boyhood interest in science. That column featured John Horton Conway’s game Sprouts. From then on I was hooked on Gardner’s columns and related books.

In his June 1968 column Gardner proposed a problem concerning Baker’s Solitaire, and followed up with readers’ solutions in subsequent issues. My name appeared with several others in the September 1968 issue. These acknowledgments were not included when the column was anthologized in Mathematical Magic Show: More Puzzles, Games, Diversions, Illusions and Other Mathematical Sleight-of-Mind from Scientific American in 1977.

Gardner’s columns radiated from the base of recreational mathematics to encompass quite a range of topics. Gardner stimulated my interest in the related hobby of abstract strategy board games, but that was only the beginning. Through Gardner I learned about the artist M.C. Escher, the 19th-century fad of four-dimensional space, anamorphic art, Raymond Llull (the godfather of the ars combinatoria), and numerous other fascinating topics reaching into obscure corners of intellectual history.

Gardner’s literary efforts were wide-ranging, but his other major claim to fame was his contribution to the 'skeptics' movement, decades before that movement was formally organized. I read Fads and Fallacies in the Name of Science not long after I discovered Gardner. I returned to this book several times over the decades. I was never fully convinced of Gardner’s criteria for the demarcation of science and pseudoscience. In addition to dealing with obvious crackpots, he delved into fringe areas where rationality bleeds into irrationality, such as Alfred Korzybski’s General Semantics, William Reich’s radical psychoanalysis and orgonomy, and Marshall McLuhan’s theory of the media. Still, the range of Gardner’s examples supplied a background I could draw upon throughout my adult life. This book can be said to have stuck with me, but I will forever be indebted to Gardner for all the wonders to which I was introduced via his work on recreational mathematics.

Like so many others I felt a serious loss when Gardner died. I paid tribute to him in my Reason & Society blog, in my podcast of July 19, 2010, and in my web guide to Board Games & Related Games & Recreations. Though my priorities have shifted over the decades, I can still say that Martin Gardner enhanced my life in a particular and unique way. He will always be remembered fondly."

         — Ralph Dumain, librarian and independent scholar, Washington, DC (22 May 2014)

Debiprasad Chattopadhyaya: A Centenary Salute

"Debiprasad Chattopadhyaya: A Centenary Salute to Multifaceted Philosopher" by SK Pande, NewsClick, 05 Nov 2018

"A humanist, Marxist, staunch lover of reason, scientific temper and secularist to the core, Chattopadhyaya’s absence is greatly felt as secular India faces threats from Hindutva forces that strive to take the country back to the dark ages."

I have been familiar with the work of Debiprasad Chattopadhyaya (19 November 1918 – 8 May 1993) for many years. Here are a couple items on my web site:

Chattopadhyaya, Debiprasad. Indian Philosophy: A Popular Introduction (Delhi: People's Publishing House, 1972 [orig. 1964]), chapter 28: Lokayata, pp. 184-199; notes, pp. 221-223.

Chattopadhyaya, Debiprasad. “Science and Philosophy in Ancient India,” in Marxism and Indology, edited by Debiprasad Chattopadhyaya (Calcutta; New Delhi: K. P. Bagchi & Company, 1981), pp. 231-262.

And see:

Ramakrishna, G. "Some Loud Thinking About the Bhagavadgita," in Marxism and Indology, edited by Debiprasad Chattopadhyaya (Calcutta; New Delhi: K. P. Bagchi & Company, 1981), pp. 216-221.

David Guest, aspiring to theory, killed in practice

"I have never felt so much the value of abstract things, of theory seen in its proper relation to practice, than just now. I think I can see things in their proper proportions. I have myself a lively and intense desire to explore whole fields of theoretical work, mathematical, physical, logical and far beyond these, when the conditions for this will become again possible."

-- Letter from Spain, David Guest, British communist mathematician, killed fighting fascism in Spain in 1938

SOURCE: Sheehan, Helena. Marxism and the Philosophy of Science: A Critical History (Atlantic Highlands, NJ: Humanities Press, 1985, p. 347.

For more historical overview, see also my bibliography:

British Marxism in Philosophy, Science, and Culture Before the New Left: Essential Historical Surveys

Praxis philosophers & the disintegration of Yugoslavia

I have blogged about the Yugoslav Marxist Humanist Praxis philosophers and documented their work on my web site:

Yugoslav Praxis Philosophy Study Guide

Among Marxist humanists, critical theorists, and other anti-Stalinists, the Praxis School was in the forefront and a pole of attraction world-wide. It is also known that, sadly, their politics disintegrated along with Yugoslavia and that their leading proponents, most shockingly Mihailo Marković, were swallowed up by nationalism. Apparently there was a dimension of the inner tensions in Yugoslavia reflected in the persons of the praxis theoreticians that was not grasped by foreign enthusiasts. This article documents the dynamics of the depressing devolution:

Secor, Laura. “Testaments Betrayed,” Jacobin. “How Yugoslavia’s vibrant Marxist humanists morphed into right-wing nationalists.” Adapted from:

“Testaments Betrayed: Yugoslavian Intellectuals and the Road to War,” Lingua Franca, 1999.

Here we have a bone-chilling historical lesson in the failure of reason to be actualized in society even by its foremost representatives. This is a sobering lesson in how precarious are the prospects, if not altogether impossible under prevailing conditions, for achieving a rational society. Uneven distribution of resources, power, and loyalties foster eventual destabilization. In Yugoslavia, the uneasy balance between centralized power (dictatorial or not) and regional/national/ethnic autonomy was totally fractured, with lethal consequences. In the USA, scarcity is entirely artificial, and so barbarism must be perpetuated by even more irrational means, fueled by uneven social development, irreconcilable differences among the population, and the exploitation of competing demographics and ideologies.

The Praxis School developed general, abstract conceptions with global appeal, and also had specific objectives in reforming the Yugoslav social system. But the world view and social theory that they developed could not sustain their political practice once the social basis for it was obliterated. They have left us with advanced general ideas of continuing relevance, but if they, faced with social disintegration, could not sustain a corresponding political practice, then what hope is there for us, in a politically regressive and rapidly degenerating social order, where ideas are not valued by anybody, to actualize our most advanced rational thought and create a reasonable society?

Christopher Caudwell's unpublished manuscripts (2)

Continuing on this work by Christopher Caudwell:

Scenes and Actions: Unpublished Manuscripts, selected, edited, and introduced by Jean Duparc and David Margolies. London: New York: Routledge & Kegan Paul, 1986.

Preface
Introduction
Selected Bibliography
from The Wisdom of Gautama
from Heaviside
Short stories
      from The Rock
                Friends
                The Mother Superior
                Lodgings for the Night
                The Bully
                Thomson
      from The Island
                The Play
                A Bit in the Papers
                The Piston
                Homage to Calderon
                The Bank
                The Device
from ‘Verse and Mathematics’
Heredity and Development
Letters

While I have owned this book for a couple decades or more, I never actually read it through. Verse and Mathematics was the draft of what was honed to his published landmark book Illusion and Reality. The extract published here is interesting and I may make it the subject of another blog post. "Heredity and Development: A Study of Bourgeois Biology" was not included in Caudwell's Studies in a Dying Culture, though it belongs there. The letters outline Caudwell's aesthetic principles and his evaluation of his own fiction, as well as details leading up to his fatal participation fighting fascism in Spain.

The introduction places all this in context, also presenting the following poems in whole or part:

The Survival

The Unspeakables

In Memoriam [of T.E. Lawrence]

Artic Expedition

Soul's Progress [excerpt]

Smoke and Diamond

The Art of Dying

[untitled fragment]

The Object

Heil Baldwin!

Caudwell’s Collected Poems were published by Carnacet Press in 1986.

The balance of the book contains selections from Caudwell's hitherto unpublished fiction. Having read none of his published fiction either, though I knew of it, I experienced this facet of Caudwell for the first time. I turned to the fiction after perusing the rest of the book, not in order of the items presented. After reading the letters, I began with Caudwell's non-naturalistic fiction--the excerpt from the speculative fiction story "Heaviside" and the stories from "The Island," which Caudwell termed Kafkaesque, which are in any case extrapolations of ideas, situations, and institutions. This is an unfamiliar dimension of Caudwell for me and adds to understanding his originality and sensibility. The stories from The Rock are character studies. At various times in reading these pieces my attention flagged, but that may just have been an effect of my state of mind at the moment and not the prose itself. While Caudwell criticized his own fiction, as does the book's introduction, Caudwell's style as well as his probing of human character are noteworthy.

It was fortunate that the Stalinists had no idea of what Caudwell was up to or they would have squashed him like they tried to squash Jack Lindsay, an original polymath from Australia who was also a member of the Communist Party of Great Britain.  Caudwell indulged in formulaic political judgments in his analyses, but retained a freshness and originality in his approach.

A Madman Dreams of Turing Machines

I just finished reading Janna Levin's novelization A Madman Dreams of Turing Machines. It is a superb piece of writing. At the end the author (an astrophysicist) lists her sources and indicates which aspects of the narrative are her fictional inventions and which historically accurate, with sources also for quotes.

The principal characters are Alan Turing and Kurt Gödel, both geniuses and revolutionaries in the realm of mathematical logic (Turing the theoretical pioneer of computation and artificial intelligence), both out of their minds, and both meeting a tragic end. But they are also polar opposites in one respect: Turing the mechanical materialist, Gödel the spiritualist, both unable to deal with the world they lived in from opposing yet united philosophical perspectives.

By comparison, another important character, Ludwig Wittgenstein, is sane, though he is wigged out himself. Moritz Schlick, head of the Vienna Circle (eventually murdered by a fascist), is pretty tight-assed himself, but more normal. The most human of the male geniuses are Otto Neurath and Oskar Morgenstern. All these are real people, though the actual treatment of their interchanges with the main characters are embellished in spots--with Otto and Oskar, that is.

There is so much a novel can do to remain generally digestible while engaging the ideas of Gödel, Turing, and Wittgenstein, but one gets a sense of their overall obsessions if not the technical depth of their ideas, though one gets a general notion of what they are. Not all geniuses are so one-sided, but such is the course of human history. That we can think anything at all is a wonder under the circumstances.

Of note to us would be the relationship of the innovations of the central characters in the formal sciences to their extra-formal philosophies to their actual social existence. Wittgenstein, who exploited formalism in his Tractatus, is the least impressed by it, seeing no real problem in contradiction in mathematics or logic proper, contrary to Gödel, Turing, and Schlick. All of these people, however, as is the world, were caught up in larger contradictions which they could not even adequately conceptualize, let alone surmount.

This by an astrophysicist and a first class writer. If I actually believed women were superior in integrating thought and feeling, this would convince me.

Here is her web site

Janna Levin's Space

Here, you can find out more about her novel and the take on the subject matter in an interview:

"Mathematics, Purpose, and Truth | On Being". Speaking of Faith. 2012-05-31

---

A few months ago I encountered Levin (didn't know who she was) on an episode of "Star Talk" by Neil de Grasse Tyson. You can listen to the entire episode on the Star Talk site or watch it on Facebook:

Celebrating Einstein - Star Talk, March 9, 2018

StarTalk: Special Einstein Episode

Here is what I wrote at the time:

Later on, there's a lot about black holes with a side order of neutron stars. Also at the end Levin says that what is most amazing about Einstein is the acceptance of constraints (speed of light) and fierce intellectual independence. Early on, what is most interesting is the assertion that had Einstein not been there, special relativity would have been discovered within a few years. But general relativity was so different from what anyone was thinking, that without Einstein it would have taken another half century to come up with something and it would have looked completely different. This is a testimony to Einstein's imagination and intuition and intellectual boldness, the most amazing scientific achievement in history.

Fyodor Dostoevsky: Notes from Underground (9)

My running commentary on Dostoevsky reflects what I have assimilated at the moment of writing and my perspective changes with what I learn. My latest podcast was a rush job in which I sought to synthesize a lot of my diverse reading into an overall picture of intellectual and ideological history, in which Dostoevsky plays a part as one of those pivotal figures of the 19th century.

The 14th installment of my radio series “Studies in a Dying Culture,” recorded on 18 November 2017, has both a recording and a written-out text which approximates but is not identical to the actual podcast and has supplementary links and comments. The written text is here:

Dialectic and Dystopia: A Century Before and After the Russian Revolution Through Literature (podcast transcript) by R. Dumain

Listen or download here. [39:40 min.]

DESCRIPTION: November 7 marked the 100th anniversary of the Russian Revolution. I commemorate this crucial historical event in an oblique manner by examining the works of key creative writers and other thinkers from the 19th century up through the aftermath of World War I and the Russian Revolution who confronted modernity’s essential philosophical and existential issues. Writers discussed include Mary Shelley, Charles Fourier, Friedrich Engels, George Eliot, Herman Melville, Imre Madách, Jules Verne, Fyodor Dostoevsky, György Lukács, Leon Trotsky, and Yevgeny Zamyatin, with mentions of others and with Theodor Adorno and Richard Wright as a coda. All of this is to illustrate the historical failure to render irrational society rational and, with respect to world views, the unresolved dialectic of reason and unreason in the modern world.

Fyodor Dostoevsky: Notes from Underground (8)

The sphere of psychology, in which such projects take up residence, though with little success, is not exempt from the crisis of literary concreteness. Even the subject matter of the psychological novel is snapped up from under its nose: it has been rightly observed that at a time when journalists were constantly waxing enthusiastic about Dostoevski’s psychological achievements, his discoveries had long since been surpassed by science, and especially by Freud’s psychoanalysis. Moreover, this kind of overblown praise of Dostoevski probably missed the mark: to the extent to which there is any psychology in his work at all, it is a psychology of intelligible character, of essence, and not a psychology of empirical character, of human beings as we find them. It is precisely in this respect that Dostoevski is advanced. It is not only that communications and science have seized control of everything positive and tangible, including the facticity of inwardness, that forces the novel to break with the psychology of empirical character and give itself over to the presentation of essence [Wessen] and its antithesis [Unwesen]; it is also that the tighter and more seamless the surface of the social life process becomes the more it veils essence. If the novel wants to remain true to its realistic heritage and tell how things really are, it must abandon a realism that only aids the facade in its work of camouflage by reproducing it. The reification of all relationships between individuals, which transforms their human qualities into lubricating oil for the smooth running of the machinery, the universal alienation and self-alienation, needs to be called by name, and the novel is qualified to do so as few other art forms are. The novel has long since, and certainly since the eighteenth century and Fielding’s Tom Jones, had as its true subject matter the conflict between living human beings and rigidified conditions. In this process, alienation itself becomes an aesthetic device for the novel. For the more human beings, individuals and collectivities, become alienated from one another, the more enigmatic they become to one another. The novel’s true impulse, the attempt to decipher the riddle of external life, then becomes a striving for essence, which now for its part seems bewildering and doubly alien in the context of the everyday estrangement established by social conventions. The anti-realistic moment in the modern novel, its metaphysical dimension, is called forth by its true subject matter, a society in which human beings have been torn from one another and from themselves. What is reflected in aesthetic transcendence is the disenchantment of the world.

SOURCE: Adorno, Theodor W. “The Position of the Narrator in the Contemporary Novel,” in Notes to Literature; Volume One, edited by Rolf Tiedemann, translated by Shierry Weber Nicholsen (New York: Columbia University Press, 1991), pp. 30-36. Excerpt from pp. 30-32. First published 1954.

Fyodor Dostoevsky: Notes from Underground (7)

My understanding of Notes from Underground and its context has developed since I finished reading it. There are a number of factors to consider, among them: (1) Dostoevsky's opposition to Nikolay Chernyshevsky’s What Is to Be Done? and the radical, Westernizing Russian intelligentsia, (2) criticism of the "bookishness" and formulaic expressions of the intelligentsia in relation to real life, (3) the Underground Man's indictment of his social milieu and himself, (4) the Underground Man as unreliable narrator, (5) the divergence between the Underground Man and Dostoevsky, (6) the philosophy of the Underground Man (and of Dostoevsky) in part 1, (7) the relationship of the actions in part 2 to the philosophical position of part 1.

I had equated the Underground Man with Dostoevsky himself, whereas the relationship between the two, as well as the relationship between the stated philosophy and lived reality is more complex in the work. The Underground Man's rebellion against rationalism is a failure, though some self-awareness is achieved where his narrative is broken off, and the entire Russian intelligentsia stands accused along with his self-accusation. Dostoevsky himself has an agenda for attacking rationalism and the intelligentsia. Where does it lead? His alienation leads to authoritarianism, reaction, and Christian apologetics, his torment to the justification of torment.

The reception of Dostoevsky's work, not only in Russia and the Soviet Union but abroad in very different contexts, is also eye-opening.

From this rush of research I compiled the following bibliography, with web links where feasible:

Dostoevsky’s Underground, Ideology, Reception: A Very Select Bibliography

I note briefly the relevance of these references to my projects. Joseph Frank is especially useful for mapping the conceptual structure of the novel. Let me call attention to two other references, which branch out into the big picture:

Carroll, John. Break-Out from the Crystal Palace: The Anarcho-Psychological Critique: Stirner, Nietzsche, Dostoevsky. 2^nd ed. London; New York: Routledge, 2010. (Orig. pub. 1974.)

I loathe anarchists, and I prefer Paul Thomas's Karl Marx and the Anarchists, but this book embarks upon a detailed analysis of Dostoevsky's irrationalism, his relationship to Stirner and Nietzsche, and the opposition to the rationalist "crystal palace" utopia celebrated in Nikolay Chernyshevsky’s What Is to Be Done?.

Jacoby, Russell. Dialectic of Defeat: Contours of Western Marxism. Cambridge; New York: Cambridge University Press, 1981. See esp. Introduction.

Jacoby says nothing about Dostoevsky here, but his book is relevant to the issues, as Jacoby highlights the 'defeated' perspectives of dissident Marxists and reactionary thinkers who analyzed modernity’s underbelly obscured by the scientistic orientation of orthodox Marxism. The Introduction lays out his perspective.

All of this is to fit into the historical puzzle of the interlocking struggle and inseparability of the contradictions of the modern world, the capitalist world (which includes Stalinism), abstractly designated by positivism vs. irrationalism, or scientism vs Romanticism.

Fyodor Dostoevsky: Notes from Underground (6)

I shall have a lot more to say, plus add additional references. First, let me link to pages on my web site that engage Dostoevsky:

Georg Lukács on Dostoevsky & the future of the novel

Stavrogin’s Confession by Georg Lukács

C. P. Snow on the ‘Two Cultures’: Literary Modernism, Irrationalism & Reactionary Politics

Richard Wright's "The Man Who Lived Underground": Notes for Discussion by R. Dumain

Richard Wright's "The Man Who Lived Underground": Annotated Bibliography by R. Dumain

Gary Saul Morson: Genre, Utopia, Sideshadowing, Tempics, Prosaics, Parody, Misanthropology, Philosophy, Literary Theory, Borges: Select Bibliography by R. Dumain

The Richard Wright connection is key to my future exploration of this topic.

Fyodor Dostoevsky: Notes from Underground (5)

I have finished Part 2 of Fyodor Dostoevsky's Notes from Underground (1864), and so I have read the entire novel.

I completely disagree with the Underground Man's world view (which might be Dostoevsky's) presented in Part 1, but this work is characteristic of the 19th century obsession with the obstinacy of human irrationality in a modernizing world with a growing scientific, rationalistic world view. This is what "underground" consciousness was. It would not shock anyone now, but it ruptured the veneer of existing civilization at the time. As I suggested in other terms in my first post, there are several aspects to the thesis laid out that are jammed together, both the metaphysical and the historical/epochal (conjunctural).

In Part 1 the Underground Man is up against a stone wall.

What stone wall? Why of course, the laws of nature, the deductions of natural science, mathematics. As soon as they prove to you, for instance, that you are descended from a monkey, then it is no use scowling, accept it for a fact.

And this goes on. But ....

Merciful Heavens! but what do I care for the laws of nature and arithmetic, when, for some reason I dislike those laws and the fact that twice two makes four? Of course I cannot break through the wall by battering my head against it if I really have not the strength to knock it down, but I am not going to be reconciled to it simply because it is a stone wall and I have not the strength.

From a schema of unbridgeable dualism the Underground Man deduces the cussedness of human nature, though we cannot be sure if his orientation towards it is positive or negative. It seems that a mechanistic, logical, or dare I say positivistic interpretation of reality bars any role for self-propelled human volition.

Consciousness, for instance, is infinitely superior to twice two makes four. Once you have mathematical certainty there is nothing left to do or to understand. There will be nothing left but to bottle up your five senses and plunge into contemplation.

Man could not tolerate the tedium of a rationally ordered utopia. (Shades of Madách and Szathmári!)

There is more than one way to interpret this rebellion against '2 x 2 = 4', but given the Underground Man's hostility to putatively facile conceptions of rational progress, he lays down the reactionary basis of Dostoevsky's philosophy.

Part 2 is in its own way noteworthy, perhaps scandalous for the 19th century, and something new perhaps for Russia, which had only just freed its serfs. The Underground Man is passive-aggressive, deeply resentful of others, both challenging them and seeking acceptance of them, constantly humiliating himself with his impotent gestures, loathing himself as much as others, alternately hostile and ingratiating. He does this with a circle of acquaintances he imposes himself on (old school chums and their leading light Zverkov, all of whom he loathes), then with the prostitute Liza, then with his servant, then with Liza again, then he recognizes what a spiteful worm he is, finally the narrative breaks off unresolved with a comment from the fictional editor.

When he first wakes up with Liza in a brothel, he gives her a speech, projecting all sorts of feelings onto her, then acting like her savior. She tells him he sounds bookish, but she is finally convinced by the horrible future he lays out for her and is shaken into taking him seriously and accepting his invitation to his home, for which he hates her and pours scorn upon her when she shows up.

When he comes to the moment of self-realization at the end, he admits he is totally out of touch with real life, but because he is acutely self-conscious of this, he might be more in tune with reality since everyone else is just as "bookish" in the sense of being removed from real life. His final words, before the "editor" steps in and breaks off the narrative and concludes with a final note, are:

Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us—excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men—men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."

In order for me to render this proposition more believable, I have to translate it into my own social reality. If the Underground Man were merely socially awkward and out of step with a soulless society, I could make sense of his claim. Even the spitefulness and self-humiliation, if it were not carried to an extreme, might make sense. But this orgy of self-humiliation strikes me as too close to the mentality of the misanthropic Christian sinner for me to swallow. Furthermore, it seems itself to be entirely swallowed up by the decaying feudal society that it represents, but without actual historical consciousness.

(All of this, by the way, seems to confirm Trotsky's assessment, summarized in previous posts.)

Which brings me to the question: what does part 2 have to do with the philosophical disquisition of part 1? The argument in part 1 is laid out in absolute abstract terms, yielding a world without history or development. The stubbornness of human irrationality is deeply ingrained, it will prove to destroy us and all life on Earth, but it doesn't live on air. The world view presented is familiar (reminiscent of Kierkegaard, for example); it is the very metaphysical stuff of political reaction.

Fyodor Dostoevsky: Notes from Underground (4)

This installment is part 3 of Trotsky vs Dostoevsky, a unit of the larger project of analyzing the ideological structure of Dostoevsky's work. These references do not specifically address Notes from Underground, but the issues are the same.

I linked to the following essay without comment in a previous post:

A Special Supplement: The Other Dostoevsky by Philip Rahv, The New York Review of Books, April 20, 1972

Here is Rahv on Trotsky:

What exactly have we given in the area of philosophy or social science?” His answer: “Nothing, a round zero. Vladimir Solovyov, who is usually remembered only on the anniversary of his death? His foggy metaphysics has not entered the history of world-thought; even in Russia his ideas failed to produce anything like a philosophical movement.” Trotsky continues by holding up to scorn the philosophical small fry who are looking forward to the imminent appearance of “a Slavic Kant.” “Where is he? He does not exist. Where is our Hegel? Where is one of equal importance in the history of thought? In philosophy we have none but third-rate disciples and faceless epigoni.

The quotes from Trotsky come from this essay:

“Concerning the Intelligentsia,” by Leon Trotsky, translated from the Russian by Philip Rahv and Irwin Weil, footnotes by Philip Rahv, Partisan Review, Vol. 35, No. 4, Fall 1968, pp. 585-598. Written 1912, published in Kievskaya Mysl. The following quote, p. 592:

In the novel A Raw Youth Dostoyevsky’s Versilov looks at Europe, as Herzen dld, with an anguish not unmixed with contempt. “There,” he says, “the conservative is only struggling to protect his living, and the store-clerk pours out his kerosene only to earn his daily morsel of bread. Russia alone lives not for itself but for the sake of an idea. . . .It is now nearly a century since Russia [that is, Russia’s intelligentsia] has been living without any thought for itself but for Europe alone.” The same Versilov says, “Europe created the noble images of the Frenchman, the Englishman, and the German; but it still knows almost nothing of the nature of the future man. It would seem, however, that Europe still does not care to know. This is understandable, as they are not free, whereas we are free. In all of Europe, I, with my Russian anguish, was the only free man. . . .” Versilov cannot see that, unlike the European conservative or the clerk in the kerosene-store, he had freed himself not only from the fetters of his class traditions but also from the possibility of social creativity. The same faceless environment which had given him his subjective freedom also loomed before him as an objective barrier.

Trotsky had a keen sense for the ideological underpinnings of philosophy and literature as well as a capable sensibility far beyond the limitations of other leading Bolsheviks. Here Trotsky excoriates the vain self-aggrandizement of the Russian intelligentsia that finds itself uprooted from the past but has nothing to go on but its inflated sense of destiny. Trotsky finds the history of Russia a culturally impoverished one, not even being able to boast the glories of other feudal regimes. Whether Slavophiles, populists, or even partisans of modern ideas, the intelligentsia was compelled to fasten onto one or another grand ideology and to absorb hastily and superficially the products of centuries of cultural evolution that had transpired in the West, as an alternative to their own backward station and severance from their roots. Hence their illusions of being free spirits and sacrificing themselves for the people, encapsulated in the quote from Dostoevsky. Four paragraphs on, Trotsky travesties some lines from a poem just quoted: "Versilov's version of  'freedom' could have no other meaning than this freedom of our thought to wander without any work to do."

Then Trotsky ridicules Russian intellectual accomplishments and we come to the passage quoted by Rahv (first paragraph above.) Trotsky is less than impressed even by Nikolay Chernyshevsky, Alexander Herzen, Pyotr Lavrov, and Nikolay Mikhaylovsky. Bakunin gets grudging acknowledgment. Even Tolstoy yields political sterility. Belinski is found to be weak. Six more paragraphs and Trotsky has washed his hands of the Russian intelligentsia.

Sándor Szathmári on the monomania of prophets

Sándor Szathmári wrote a novel in Hungarian and Esperanto--Voyage to Kazohinia, now available in English from an American publisher--that belongs in the dystopian pantheon with Karel Čapek's R. U. R. (Rossum's Universal Robots), Zamyatin's We, Huxley's Brave New World, and Orwell's 1984.

Kazohinia is unique in that it presents two diametrically opposite societies, one composed of the Hins, robotically orderly, rational, and mechanistic, and the Behins, totally irrational and chaotic. Gulliver (recycled from Jonathan Swift) finds himself in both neighboring but mutually isolated societies, unable to tolerate either one, and unable to see that the insane, violent Behins are merely an exaggeration of the British and European civilization he uncritically adores.

Szathmári created a panoply of neologisms for the belief systems, cultural practices, institutions etc. of Behin society, that are thinly disguised equivalents of the same phenomena in Western civilization. Even among the Behins there are a small number of sages, prophets, wise men, sacred religious figures, founders and inspirers of religions, called bikru. Gulliver inquires of his Hin guide about the bikru. The bikru are also found wanting. A post on my other blog more extensively documents this:

Sándor Szathmári on the limitations of sages

Here I reproduce the key dialogue that pinpoints the crux of the matter (which also reminds me of why I disliked Hermann Hesse's Siddartha), boldfacing the priceless punchline:

"Don't speak of 'the' bikru. You shouldn't think that they had only one bikru. There were several. Perhaps, you, too, might have become one of them."

"Indeed?!" I looked at him flabbergasted.

"Yes. They burn every bikru first. Later they recognize him because, as you yourself have seen, they have minds but the self-radiation doesn't allow them to dominate clearly and as soon as it comes to words, to say nothing of deeds, everything becomes reversed. The bikrus, however, have the ability to manifest their intelligence but, as I have said, in their being they are Behins and they are not free of imperfections and fixed ideas."

"Of fixed ideas? What is this fixed idea?"

"To be a bikru is also in fact a monomania; the erroneous belief that with the Behins there is a connection between the heard word and the brain. A bikru is a Behin whose only Behinity is that he doesn't realize among whom he lives; for it could not be imagined, could it, that somebody who was aware of the Behinic disease would still want to explain reality to them."

Consolation for intellectuals in a time of despair

In addition to public figures and intellectuals by profession, the planet is dotted with independent scholars and autodidacts who persevere on sheer motivation alone. In the past month I had a conversation with one of them, who sees the political and general prospects for the world as hopeless, as any thinking person would, and wondered whether he should just give up his intellectual and politically motivated work which nobody cares about and which will not have a discernible impact.

I could not give him the usual consolations of traditional religion or New Age pabulum, so I had to think of an alternative. I quickly thought of two authors: Theodor W. Adorno and Jorge Luis Borges.

• “Resignation” (Excerpts) by Theodor W. Adorno

I zeroed in on the concluding paragraph:

By contrast the uncompromisingly critical thinker, who neither signs over his consciousness nor lets himself be terrorized into action, is in truth the one who does not give in. Thinking is not the intellectual reproduction of what already exists anyway. As long as it doesn't break off, thinking has a secure hold on possibility. Its insatiable aspect, its aversion to being quickly and easily satisfied, refuses the foolish wisdom of resignation. . . . Open thinking points beyond itself. . . .Whatever has once been thought can be suppressed, forgotten, can vanish. But it cannot be denied that something of it survives. For thinking has the element of the universal. What once was thought cogently must be thought elsewhere, by others: this confidence accompanies even the most solitary and powerless thought. . . . The happiness that dawns in the eye of the thinking person is the happiness of humanity. The universal tendency of oppression is opposed to thought as such. Thought is happiness, even where it defines unhappiness: by enunciating it. By this alone happiness reaches into the universal unhappiness. Whoever does not let it atrophy has not resigned.

Justifying an uncompromising intellectual perspective when it goes unappreciated, not just by strangers, but by one's most intimate loved ones, can be stressful. Here is the most relevant rebuttal to the superstitious and the anti-intellectual, as only Adorno can express it:

• Adorno on Truth, Survival, Consolation & Freedom of Thought

This comes at the head of what I have dubbed via my twisted sense of humor "Adorno's Best Break-Up Quotes." Need I spell out when and why I would draw on these quotes?

Here is a related take on the same idea:

• Refusing “Positive Thinking” After Auschwitz by Theodor W. Adorno

"Adorno's Best Break-Up Quotes" comprise a significant chunk of my podcast of 5/7/15: "Adorno for Autodidacts," in my series Studies in a Dying Culture under the auspices of Think Twice Radio.

So . . . The first item I used for my friend was the final paragraph of Adorno's essay "Resignation" quoted above. My second source was a short story by Jorge Luis Borges:

• "The Secret Miracle" (text in English)

In "The Secret Miracle" (summary), the protagonist is sentenced to die by firing squad. He prays to God to be granted one year to fulfill his life's mission, to finish writing an unfinished play. His wish is granted in a surprising way: as he faces the firing squad, at the instant he is to be shot, time freezes. He along with everyone else remains motionless, but he is free to compose and polish his work to perfection, which he finishes mentally in this frozen scene in a year's time.  When his work is complete, the scene comes to life and he is shot to death.

No record of his work will ever be made, no one will know of its existence, and thus he will never receive recognition from the world. But the fact that he was able to complete his work, albeit only in his own mind, made the effort worthwhile.

When I related the Adorno quote and this plot summary, my friend was inspired. This was just what he needed to carry on.

Absorption is happiness. Expression is happiness. Thought is happiness.

W. E. B. Du Bois on Religion (7): "Divine Discontent"

Kahn, Jonathon S.  Divine discontent: The Religious Imagination of W.E.B. Du Bois. Oxford; New York: Oxford University Press, 2009.

Contents:

Introduction : Divine discontent as religious faith -- What is pragmatic religious naturalism, and what does it have to do with Du Bois? -- Pragmatic religious naturalism and the binding of The souls of Black folk -- "Love for these people" : racial piety as religious devotion -- Rewriting the American jeremiad : on pluralism, Black nationalism, and a new America -- "Behold the sign of salvation-a noosed rope" : the promise and perils of Du Bois's economies of sacrifice -- Conclusion : Beyond Du Bois : toward a tradition of African American pragmatic religious naturalism.

Description:

W. E. B. Du Bois is an improbable candidate for a project in religion. His skepticism of and, even, hostility toward religion is readily established and canonically accepted. Indeed, he spent his career rejecting normative religious commitments to institutions and supernatural beliefs. In this book, Jonathon Kahn offers a fresh and controversial reading of Du Bois that seeks to overturn this view. Kahn contends that the standard treatment of Du Bois turns a deaf ear to his writings. For if we're open to their religious timbre, those writings-from his epoch-making The Souls of Black Folk to his unstudied series of parables that depict the lynching of an African American Christ-reveal a virtual obsession with religion. Du Bois's moral, literary, and political imagination is inhabited by religious rhetoric, concepts and stories. Divine Discontent recovers and introduces readers to the remarkably complex and varied religious world in Du Bois's writings. It's a world of sermons, of religious virtues such as sacrifice and piety, of jeremiads that fight for a black American nation within the larger nation. Unlike other African American religious voices at the time, however, Du Bois's religious orientation is distinctly heterodox-it exists outside the bounds of institutional Christianity. Kahn shows how Du Bois self-consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge traditional Christian worldview in which events function to confirm a divine order. Du Bois's antimetaphysical religious voice, he argues, places him firmly in the American tradition of pragmatic religious naturalism typified by William James. This innovative reading of Du Bois should appeal to scholars of American religion, intellectual history, African American Studies, and philosophy of religion. 

 This is shameless intellectual charlatanism of the worst sort, part of the reactionary turn to religion to which intellectuals have caved or opportunistically joined. In our decaying "postmodern" age, anything goes.

William R. Jones, Jr. on Black liberation theology: Mao, Martin, or Malcolm?

This is an old essay. I see no indication of an earlier publication, so perhaps this is the first time it appeared; on the other hand, the subject matter suggests it was written at least a decade earlier:

Jones, William R. "Liberation Strategies in Black Theology: Mao, Martin, or Malcolm?", in Philosophy Born of Struggle: Anthology of Afro-American Philosophy from 1917, edited by Leonard Harris (Dubuque, Iowa: Kendall/Hunt Publishing Company, 1983). pp. 229-241.

This concern belongs to an earlier era, but given the key role that Jones played in countering black liberation theology from within and furthering black participation in the philosophy profession, this is worth revisiting if only for the limitations of Jones's perspective, which Stephen Ferguson correctly characterized as Feuerbachian.

Jones triangulates the three key figures on their attitude to violence. Mao and Martin Luther King, Jr. are polar opposites: Mao claims that power grows out of the barrel of a gun and thus violence is the only means to fundamental change, while King categorically eschews violence as counter-productive. Malcolm X's formulation "by any means necessary" avoids either of these extremes: Malcolm advocates violence for self-defense or when all other means are exhausted, but not as a first principle.

Jones finds that black liberation theology has gravitated away from both King and Mao and has veered closer to Malcolm X. But he doesn't say anything further about black theology, as the real purpose of this article is to criticize King.

It is obvious to the average person, I would think, that all other things being equal, Malcolm's position would be the most rational and aligned with the real world. If a philosophical position on violence were the only thing that distinguished these three figures, Jones would have a good argument. But their overall political positions and relation to their own traditions differ in several ways, such that Jones's comparison ends up being superficial. We don't even learn what differentiates King's orientation from the asceticism and social backwardness of Gandhi, or Mao's vulgar nationalistic version of class struggle from the intellectual depth of Marx. Nor do we gain any knowledge about the rest of Malcolm X's politics and what he learned once he separated himself from Elijah Muhammed's petit bourgeois fascist religious cult.

A deeper analysis of King's politics might also give additional insight into what differentiates King's universalist radical Christianity from the parochial vision of the black liberation theology of James Cone et al ideologically aligned with the black power movement. King's ideological illusions aside, there is one key aspect of King's political strategy overlooked here. Once the initial legislation was passed putting an end to legal Jim Crow in the South, King turned to the intractable problems of de facto institutional racism in the rest of the country, also implicated in the perpetuation of poverty. King realized that he had to tackle the entire institutional structure of American society, rather than to carve out a petit bourgeois enclave within the black ghetto. King took a bullet for black garbagemen; at the same time King was in the process of organizing a pan-racial Poor People's Campaign

To overlook this superior aspect of King's social vision over the parochialism of black nationalism (which should not be equated with "black power" as an abstract concept) is to do a major injustice to any evaluation of political actors of the 1960s. If one wishes to pursue a critique of King's politics, the proper focal point would not be his religiously-inflected pacifism, but the perspectives for the Poor People's Campaign and what it could or could not lead to.  But now back to Jones.

Jones quotes from King's Gandhi-inspired philosophy of nonviolence, for example, by allowing violence to be inflicted on oneself refusing to strike back, one eventually shames the perpetrator. Jones convincingly demonstrates that this is nonsense, as well as the argument that a violent defensive response to violence can only perpetuate a cycle of violence. There is another aspect of a nonviolent strategy that Jones fails to consider, which is not the effect of nonviolence on one's direct oppressors, but on public opinion. (A historical fact once forgotten but recently brought to public attention in at least one new book: that many of the very same people involved in nonviolent public demonstrations had their guns ready at home to defend themselves against racist assaults.) If the public also has no conscience, then of course the situation becomes even more difficult.

The substance of Jones's case against the philosophy (call it metaphysics) of nonviolence begins on page 236. The ridiculousness of Gandhi's argument becomes evident, for example, in its practical refutation by the example of Nazi Germany. The Gandhian perspective ignores the fact that when the oppressor has classified different groups into the human and the subhuman, no appeal to conscience is possible (237). Another crucial defect of Gandhianism is its focus on the psychological, which overlooks the material imbalance of power. Violence can only be understood when contextualized, which involves configurations of power (238). Jones also points out the selective reception of King's views and the rejection of King's philosophy when it came to criticizing the Vietnam War (239). Jones also points out that King failed where Gandhi succeeded because black Americans constitute a minority, the reverse of the situation in India (235).

The black theologians' reaction against King is related to King's notion of Christian self-sacrificing love connected with his philosophy of nonviolence, which by the late 1960s was seen as ineffective.
In this essay Jones stops here, rather than proceeding onward to reject all theology as obscurantist. Elsewhere in Jones's work we learn that he is a religious humanist rather than an atheist per se, and his war against the (liberation) theology of revealed religion takes the form of an immanent critique using theodicy, or the problem of evil, as a linchpin, hence the key question embodied in the title of his book, Is God a White Racist?. It is also worth noting that Jones treats "white society" as a concept, rather than developing a social theory that would root white supremacy as a ruling class formation having grown out of the institutionalization of slavery as a foundation of the power and wealth of the emerging bourgeoisie. Again, Stephen Ferguson is the only aficionado of Jones who has recognized Jones's position as essentially Feuerbachian, opposing ideology within the realm of ideology without grounding it in a social theory.

Jones to his credit does take into account the other aspect of King's political philosophy: King acknowledges the validity of the exercise of power; nonviolent resistance does not appeal to conscience alone; it succeeds by making existing society ungovernable (234-235). In the footnotes (240-241), Jones quotes King emphasizing the exercise of power beyond the tactics of moral suasion. While some look at this as a later alteration of King's initial position, Jones rejects this interpretation. Quoting Vincent Harding, Jones maintains that King never fully incorporated an analysis of power into his thought, hence never crossed over into the terrain of "black power". Perhaps, but one might question to what extent the advocates of black power were able to craft an effective political strategy given the constraints of being a minority basing themselves in the ghetto facing the overwhelming might of police state violence. Ultimately, who had the more realistic and more profound political vision?

Eddie Glaude Jr. in person, where music trumps philosophy

I blogged here twice about philosopher Eddie Glaude, Jr. after trashing him as philosopher on my Studies in a Dying Culture blog:

Tavis Smiley meets Eddie Glaude: Black pragmatism in action

As I mentioned in my second post here, Glaude re-posted my first post on this blog, without comment, on his own blog on BlackPlanet.com. 3 comments followed.

Given the way I blasted Glaude in writing, it is only fair that I balance my account of him by recounting an agreeable personal encounter.

The stage for this encounter was an event that took place on the 50th anniversary of the historic March on Washington. The event was held on August 28, 2013 at George Washington University: Soundtrack of a Movement: Freedom Songs in Perspective. The moderator of the event was Eddie Glaude, Jr.

Julian Bond was a featured speaker. I positioned myself to shake his hand after the event, but as he was coming down the aisle of the auditorium, just before he got to me, his attention was diverted by a pretty girl and I lost my chance.

There were also various artistic performances, among the artists my esteemed colleague harmonica virtuoso Frédéric Yonnet. Here are two videos of student performances: Soundtrack of a Movement 1; Soundtrack of a Movement 2.

It was an inspiring event, and Glaude did a great job. After schmoozing with various acquaintances and strangers afterward, I ran into Glaude as we exited the building. We two were among the last to leave. I did not identify myself as the person who trashed his philosophy. Rather I discussed music with him. When I mentioned the Spirituals, he melted. We shared a moment. I know my conversation made him happier than he was already and vice versa. Such moments of inspiration are what we live for.

So there, my two contrasting takes on Glaude. There is a difference between sensibility and concepts, between literature and philosophy, between theory and cultural expression. I find it tragic that in their eagerness to find an outlet for a certain sensibility and reaction to their world, people like Cornel West and Glaude do such a terrible job as philosophers. How is it that Richard Wright did so much better, working in a literary rather than philosophical genre? This is a vital topic to conceptualize and discuss. 

Philosophy is not cultural expression, even while it reflects social realities and ideological biases. If some philosophy is an expression of a given cultural formation, that might be the very reason NOT to celebrate it as an organic cultural expression but to criticize it as an ideological expression. It may well be that a foreign tradition reveals more about society X than society X's own predominant philosophy. See my post:

Pragmatism Blues

Even given the historical prevalence of a certain type of philosophy in a nation or region, e.g. pragmatism in the USA, empiricism in the UK, rationalism in France, etc., while the prevalence of these philosophies is in some sense an expression, better to say a product, of given social circumstances, that is not to say that said philosophical schools are essentially national or ethnic in character except insofar as they deal with cultural/social/specifics. There is a philosophical spectrum in every major civilization and no single philosophy that expresses its essence. (Also: I deem ontology, epistemology and logic to be the heart of philosophy, and all the rest mere commentary.) Hence there is a richness to be found in the philosophical spread of the major civilizations--Greek, Indian, Chinese, Islamic, etc. Whereas something like African philosophy, which grows out of an identity crisis, is anemic in comparison. And the notion of "black philosophy" is to me an absurdity, though there indeed are black philosophers, some or most of whom have dealt with the "black experience".

To translate sensibility into a non-mystical, non-metaphysical formulation is an endeavor yet to be undertaken. It was a major concern of mine when African American humanism finally surfaced in organizational form at the end of the 1980s. I was hoping to overcome the tedium of the atheist/humanist milieu. This was before the universal availability of the Internet. Well, we are a generation past and now in the fully interactive online era, in which the black atheist/humanist/skeptics movement suddenly blossomed just a few years ago and in which the atheist/etc. movement flourishes throughout cyberspace. A plethora of social and cultural interests are to be found, but not much philosophical progress. One aspect of confronting religious obfuscation is engaging cultural expression, confronting the seductive dimension of artistic expression as a vehicle of religiosity.

Eddie, wherever you are, I like you as a person, even if not as a philosopher.

Imagination, logic, & life

Here is an email I wrote for a group several years ago, just retrieved:

10 February 2005

Imagination & logic, the shape of life & the shape of thought

While scooting about town yesterday, I ran several complete narratives through my head. Typing, however, is much slower, and I've been burning all my candles at all ends, so I'll have to content myself with summarizing what I'm not going to say.

(1) A narrative tentatively titled "Street Life Monadology" is an autobiographical review of the summer and fall of 1979, illustrating the juxtaposition of philosophical reflection and everyday life, and sometimes the unplanned coincidences between the two.  However, except for the entertainment value, I see no advantage in posting it here, because there are no generalizable conclusions to be drawn from it. My aim would have been to show the close relation between philosophizing and everyday life and my own driving motivations of the time, but in fact this is not the story that will do it, and the appropriate stories to be told would require even greater effort to reconstruct.

(2) I wanted to write up my perceptions of the effects of the philosophical culture of analytical philosophy on people I've known, to illustrate its debilitating effect on imagination and creativity. Which is not to say that I disavow the specific products that issue from this work—as much of it is stuff that interested me in the past—but I'm interested in what could be called philosophical culture, or the milieu that molds minds in a particular way, which is where I see the problem. This is by no means to validate its dishonest and hypocritical competitor, irrationalism. In any event, each is indispensable to the other.

(3) One problem with the association of life and philosophy is the unavoidability of being held hostage to a limited set of available ideas which at some point in time are attractive because they resonate so well with what is going on in the times, and individually. Only with time, more knowledge, and good fortune, is it possible to see that the shapes of both life and thought at an earlier stage of development were contoured in different ways than one suspected at the time. This is one reason to be wary.

(4) While I thought I saw the handwriting on the wall in the late '70s, as I always think I do, I could not see the shape of thought from a sufficiently wide angle. I only met Aant Elzinga, who does historical science studies in Sweden, in the 1980s, in another stage of my existence, and he gave me a few of his papers. But I didn't absorb the lessons even then. I wish I had read the following paper back in 1978 when he wrote it, and when I had no clue about the perspective contained therein, but he only sent it to me two years ago:

The Man of Science in a World of Crisis: A Plea for a Two-Pronged Attack on Positivism and Irrationalism.

________________

"The hidden harmony is better than the visible." — Heraclitus

Ludwig Feuerbach 13: Nina Power on Feuerbach on religion

Here is a 4-minute video by philosopher and social theorist Nina Power:

Radical thinkers: Ludwig Feuerbach on religion - video

This is on the occasion of Verso Books' re-publication of the anthology The Fiery Brook: Selected Writings by Ludwig Feuerbach, translated by Zawar Hanfi.

This is a collection of Feuerbach's shorter philosophical writings. We are fortunate that it is now back in print. For the contents and other writings by and about Feuerbach in English see my bibliography of Ludwig Feuerbach.

Feuerbach is most known for his views on religion, in particular his epoch-making book The Essence of Christianity (1841). Power references this work in her video. While I can't recall the items I've read, I know I have read some very intelligent pieces by her. I have no real complaints about this brief introduction to Feuerbach, but I would contrast Feuerbach with the so-called "new atheists" in a different way. It is not a question of belligerence vs sympathy for believers, but one of methodology, depth, and insight. There is more to be mined in Feuerbach than has been mobilized to date. Feuerbach is incomparably richer in insight than Dawkins' drivel about memes, religion as virus, and similar ideologically driven pseudo-explanations, and that goes for the others on the bandwagon of the journalistically dubbed new atheism. For me the watchword is a later Feuerbach work:

Lectures on the Essence of Religion (1851), translated by Ralph Manheim. New York: Harper & Row, 1967. (See Lectures I & XXX offsite, Lecture 1 (Part II), Lecture 2 and more on my site.)