Showing posts with label Death-of-God theology. Show all posts
Showing posts with label Death-of-God theology. Show all posts

Thursday, November 19, 2015

Robert Zend: God dead?

 Robert Zend (Hungarian-Canadian writer, 1929 - 1985) wrote a number of poems about God, from an unorthodox perspective, to say the least. Here is one from his book Beyond Labels (Toronto: Hounslow Press, 1982), p. 52.

   GOD DEAD?

God has not died,
only his name
        which was confused
        with the sun
        and thunder
        and destiny
        and victory
        and genesis
        and love
        and law
        and wisdom
        and fatherhood
begins to fall apart
        into electricity
        and strategy
        and astronomy
        and historical materialism
        and extrasensory perception
        and psychoanalysis
        and the theory of probability --
only his name
disintegrates.

God has not died
because he never lived.

                            January 13, 1967


Tuesday, March 20, 2012

Death-of-God theology meets jazz

I vaguely heard of Death-of-God theology back in the '60s when it was briefly in vogue, but didn't know anything about it. My first contact with the writings of Thomas J.J. Altizer was some time between 1970s and '90s, via his treatment of William Blake.

Kurt Vonnegut, Jr. once said (see this blog) that music was the one thing that could make him believe in God. I understand the sentiment. Nevertheless, I can't feel the same way I once did about many things as I reexamine the past. Here is how I dealt with the mysticism associated with avant-garde jazz:

The Jazz Avant-Garde, Mysticism & Society: Meaning, Method & the Young Hegelians

Now make of this statement by Altizer what you will:
"The power embodied in jazz violently shatters our interior, as its pure rhythm both returns us to an archaic identity and hurls us into a new and posthistoric universality. Most startling of all, the “noise” of jazz releases a new silence, a silence marked by the absence of every center of selfhood, the disappearance of the solitude of the “I.” That silence is the silence of a new solitude, an absolute solitude which has finally negated and reversed every unique and interior ground of consciousness, thereby releasing the totality of consciousness in a total and immediate presence And we rejoice when confronted with this solitude, just as we rejoice in hearing jazz, for the only true joy is the joy of loss, the joy of having been wholly lost and thereby wholly found again."

— Thomas J.J. Altizer, Total Presence: The Language of Jesus and the Language of Today, 1980, pp. 107-108.
 SOURCE: "Thomas J. J. Altizer (1927-)," edited by Derek Michaud, incorporating material by Wilfredo H. Tangunan and Andrew Irvine, Boston Collaborative Encyclopedia of Western Theology.